{"id":10429,"date":"2023-11-30T12:17:23","date_gmt":"2023-11-30T17:17:23","guid":{"rendered":"https:\/\/heavensmetalmagazine.com\/?p=10429"},"modified":"2023-11-30T12:22:10","modified_gmt":"2023-11-30T17:22:10","slug":"theocracy-mosaic","status":"publish","type":"post","link":"https:\/\/heavensmetalmagazine.com\/index.php\/2023\/11\/30\/theocracy-mosaic\/","title":{"rendered":"THEOCRACY: Mosaic"},"content":{"rendered":"\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><s>ALBUM OF THE YEAR<\/s> [REDACT!]<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Likely an understatement (and so music journalist clich\u00e9) to say that <em>Mosaic<\/em> (Theocracy\u2019s 5<sup>th<\/sup> studio release) represents one of the most highly anticipated metal releases for 2023 in both the power\/prog metal world and within the niche scene we cover at <em>Heavens Metal Magazine<\/em>. However, you will not see or hear this writer dropping the other music journalist clich\u00e9 which typically follows that kind of hyperbole\u2026<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><em><s>\u201c\u2026Theocracy does not disappoint with Mosaic representing their most focused, ferocious and decisively fantastic release to date!\u201d<\/s> <\/em>[REDACT!<\/strong>]<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">To make that statement would be foolish, would it not? For that would be akin to making statements like, \u201c<em>Moving Pictures<\/em> represents Rush\u2019s most brilliant release to date\u201d or \u201cPink Floyd\u2019s <em>The Wall<\/em> clearly represents their best work of the decade\u201d or furthermore to make the point, \u201c<em>Seventh Son of a Seventh Son<\/em> clearly represents Maiden\u2019s most powerful and dynamic album of the \u201880\u2019s.\u201d Surely you jest\u2026 Hmm\u2026 you get my point.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nevertheless, as I poke fun at myself and my music journalism kinfolk for our overzealous and verbose attempts to promote the artists we love (with EVERY single \u2013 well almost \u2013 new release), there is an enduring nugget of truth hidden within the parody&#8230;<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\"><strong>When you are good \u2026 it is good. When you are great \u2026 there is no best, just excellence in excess.<\/strong> <\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Not the \u201cBest\u201d \u2026 Just More of It<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Theocracy has been so consistently consistent since inception \u2013 every release just as good as (in terms of quality or artistic and musical output) as its predecessor. In this regard, <em>Mosaic<\/em> is no exception (again, sorry for the clich\u00e9). Matt Smith is undoubtedly the human responsible for this \u2013 his striving for excellence in every effort along with his desire to \u201cnever release a bad song\u201d has gifted the world with now 5 amazing slabs of heavy, melodic, progressive power metal lyrically infused by a Christian worldview.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nevertheless, I have no doubt Matt would be the first to say that not only has he been gifted with the help of great people (musicians, artists, designers, music engineers\/producers, promoters, label-heads, etc.) over the years, but that he has been inspired and guided by the Spirit of truth. How can I say this, you say? The music of Theocracy speaks it \u2013 in both volume and volumes!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">All this to say, <em>Mosaic<\/em> doesn\u2019t represent the \u201cbest work to date\u201d for this artist. Instead, <em>Mosaic<\/em> represents God\u2019s provision to Matt Smith and friends to gift the world with yet another amazing and inspiring collection of powerful, insightful and blisteringly fierce heavy melodic metal!<\/p>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--60)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Changes<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">And man, it is heavy \u2026 on so many levels. But before we get to all that let\u2019s get the elephant out of the room on the personnel change. No matter how hard any entity (band, sports franchise, business, etc.) fights for integrity, fights against the entropy of chaos in relationships, things (putting in kindly) happen. Val Allen Wood is out and power metaller Taylor Washington (Paladin) is in (guitars\/back-up vocals).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As a reviewer it\u2019s not my job to dwell on all that, however readers might care if the Theocracy soundscape or style has changed as a result. In essence, as a listener (and fan \u2026 really?), the simple answer \u2026 not really. That said, if in some way Washington persuaded the guys to make it heavier? Perhaps\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">And, of course, Theocracy is now on <strong><a href=\"http:\/\/www.atomicfire-records.com\" target=\"_blank\" rel=\"noreferrer noopener\">Atomic Fire Records<\/a><\/strong> (Germany) having amicably parted with long-time friend and supporter <strong>Emil Westerdahl<\/strong> (you rock!) and <a href=\"http:\/\/www.ulterium-records.com\" target=\"_blank\" rel=\"noreferrer noopener\">Ulterium Records<\/a> (Sweden). In tribute to the Ulterium era of Theocracy (3 amazing studio releases plus a wonderful remake of the debut) check out our review of <a href=\"https:\/\/heavensmetalmagazine.com\/index.php\/2016\/10\/29\/theocracy-ghost-ship\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Ghost<\/em> S<em>hip<\/em><\/a>, the culmination release (and the culmination review) from all those years. Cheers!!<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>The Songs<\/strong><\/h2>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Just a Flicker of Thrash<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u201cFlicker\u201d<\/strong> kicks things off in a bit of unorthodox manner with the almost whispered \u201cSometimes I just feel like I don\u2019t belong here&#8230;\u201d but the song quickly crescendos into a thrash metal frenzy with plenty of pace and guitar shred amidst Smith\u2019s lament about the state of the world in which we live and how unrecognizable it has become just within the brief \u201cflicker\u201d of our own lives. This confession resonates deeply with the soul:<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em><strong>\u201cDo you ever feel like you just don\u2019t belong here?\/Me I\u2019ve always known this isn\u2019t home\/I\u2019m starting to feel so disconnected\/A stranger in a strange and growing ever stranger land\/In a world that I don\u2019t understand\u201d<\/strong><\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"THEOCRACY - Flicker (Official Lyric Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/DrE6aSytQTA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-left\"><strong>B.A. (aka Believers Anonymous)<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Co-written by Hinds and Smith, <strong>\u201cAnonymous\u201d<\/strong> is full-on Theocracy power metal with heavy riffage and straight-up punchy kick bass. Smith soars in the chorus section \u2013 the melody never sacrificed for the sake of power. If the guitar solo in the opening track doesn\u2019t claim it, Washington\u2019s cred is sealed with the solo in this one. Love Topran\u2019s big \u201clive\u201d rock drum ending. The message:<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em><strong>\u201cChosen one\/Futures and names for all of us\/No longer anonymous\u201d<\/strong><\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>We Are Mosaic<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The title track represents an amalgamation of everything Theocracy does so well (musically and lyrically), which makes the song an appropriate musical vehicle to depict the idea of broken pieces being melded together into something wonderful. It works on the level of piecing multiple music concepts together from parts that were not originally created for that purpose to craft a great song, to the grander scheme of making broken people from all different walks in life form together into the \u201cmosaic\u201d of life as intended by the Creator.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I might be going out on a limb but there are some familiar melodies from previous releases that might show up in some form, ingeniously stitched into this <strong>\u201cMosaic.\u201d<\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"THEOCRACY - Mosaic (Official Music Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/143Bj62fm-Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>The Dogs of Theocracy<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Some metal fans may criticize Theocracy for not writing darker-themed songs (ah, but what about \u201cLaying the Demon to Rest\u201d from <em>Mirror of Souls<\/em>?), but <strong>\u201cSinsidious (The Dogs of War)\u201d<\/strong> would certainly qualify from my perspective. Not only are the riffs killer huge, but there is also a bit of a Maiden romp in the middle section with yet another killer shred solo from Washington. Not only are the instrumental \u201cdogs\u201d of Theocracy unleashed here but the lyrics are predominantly a statement about the negative, and downright evil, stance of the world leaders. However, even amidst the smoke and fire, Smith exhorts,<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><em>\u201cFather, may we guard our hearts from the overtly hideous and the more sinsidious\u201d<\/em><\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Dust to AOR Dust<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u201cReturn to Dust\u201d<\/strong> is one of the more melodic straight-up rockers on <em>Mosaic<\/em>. The timeless message of our mortality is well-stated and the music \u2013 can easily hear this as a song the Elefante brothers would have loved to over-produce in majestic fashion if Theocracy were around in 1993 \u2013 qualifies as the most universally accessible tune on the album.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"THEOCRACY - Return To Dust (Official Music Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/6umfhGhH-ws?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><em>\u201cAre we alive, or has The 6<sup>th<\/sup> Great Extinction come?\u201d<\/em><\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Shredding at the Brink of Extinction<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">That is the question posed by the 6<sup>th<\/sup> track of the album. Here Smith ponders if the devastatingly poor choices we\u2019ve made both with the use of our resources and with our minds and souls has lead us to the brink. Musically and lyrically this one would qualify as the other \u201cdarker\u201d song on <em>Mosaic<\/em>. While not quite as musically \u201cnasty\u201d as \u201cSinsidious\u201d there are some cool riffs going on here and Topran\u2019s drumming stands out, particularly during the middle section of the song.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Favorite Idol<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">What did I say earlier about picking favorites? Hmm\u2026 Well, honestly <strong>\u201cDeified\u201d<\/strong> may, just maybe (If Doug made me do it! \u201cJust pick one, Doc!\u201d), be my favorite track on <em>Mosaic. <\/em>When I first heard this song during my virgin listen to the album (yes, on the vinyl version, of course) I was blown away. It\u2019s like Iron Maiden on steroids! But the low-end thunder comes out in enormity on the vinyl version. Killer track. Sonically metal, lyrically concise.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em><strong>\u201cBurn your idols\/Holy Fire\/Before they can burn you\u201d<\/strong><\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>The Greatest Ballad<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Even the mighty HammerFall acknowledges, \u201cWhat would a metal album be without at least one metal ballad.\u201d Well, they didn\u2019t actually say that (that I know of, at least) but their legacy speaks to its truth. Anyway \u2026 <strong>\u201cThe Greatest Hope\u201d<\/strong> represents the sole power ballad. It works, it\u2019s beautiful &#8230; and it reflects upon loss and the greatest hope. What more can be said\u2026<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em><strong>\u201cEven though you\u2019re gone\/And we try to carry on\/See you again my friend, I know\/For we have the greatest hope\u201d<\/strong><\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Liar, Fool, or Headbanger!<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The first of the two epic tracks which close out the album in grand fashion, <strong>\u201cLiar, Fool, or Messiah\u201d <\/strong>is Theocracy\u2019s Occam\u2019s Razor song. This is a burner power metal of a tune which doesn\u2019t feel as long as its 7-and-a-half-minute duration. One aspect of <em>Mosaic<\/em> that stands out is the maturity level of the playing. Matt Smith\u2019s songwriting ability is undisputed great \u2013 has been from the debut forward \u2013 but it has been nice to see the progression of quality in instrumental output over the past two decades, with each release featuring just a bit more professionalism than the previous. But isn\u2019t that a good thing from a band\u2019s perspective? The way it should be?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As I stated at the top, that doesn\u2019t translate into this writer saying <em>Mosaic <\/em><s>is the band\u2019s best release to date.<\/s> Yet isn\u2019t it nice to see this with Theocracy \u2013 it so rarely happens in the industry, right? The current musicians \u2013 Smith included \u2013 are now seasoned vets of their trade. The shred factor on these songs is just through the roof world class and that comes across very nicely on this track.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>The Red Sea \u201cParts\u201d<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Finally, the <strong>\u201cRed Sea\u201d<\/strong> parts \u2026 all the way back to Theocracy\u2019s inception (or pre-inception). I think I saw in an interview with Matt Smith that this song is a contemporary realization of one of his earliest musical concepts. If so, that\u2019s crazy &#8211; proof of the gift. I was astonished with the debut release on Metal Ages Records, and to this day am still astounded by the talent displayed by a single artist.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Interestingly, this concept epic consists of three parts. Cleverly, like the Red Sea, \u201cB.C.\u201d and \u201cA.D.\u201d are \u201cdivided\u201d by the \u201cinstrumental\u201d section. \u201cB.C.\u201d tells the Exodus tale of Moses, the judgements of Pharoah, the Passover, the escape to the Red Sea and the redemptive salvation of the children of Israel as the Egyptians are engulfed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cA.D\u201d features a summary of scriptures regarding the state of man (spiritually) in our \u201cEgyptian\u201d state of death, the journey to reconciliation through the redemptive work of the Cross to the final salvation through the baptismal waters of the Red Sea. Ingenious the way the Old and New have been brought together in one song singing the same message:<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em><strong>\u201cThe red sea crashes all around\/I\u2019m overcome and overwhelmed\/I take the swim eternal\/I\u2019m swept away, it washes me\/It washes me forever\u201d<\/strong><\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>B.C.<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Musically \u2013 and cinematically \u2013 the \u201calbum side\u201d (literally all of Side D on the vinyl version) song <s>does not disappoint<\/s>. \u00a0The vibe is very much a combination of not only what Theocracy has previously accomplished with \u201cMirror of Souls\u201d and \u201cEaster\u201d and in some ways it reminds me of a culmination of those songs. But there is some definite Iron Maiden \u201cRime of the Ancient Mariner\u201d in here as well with the plodding heavy sections combined with \u201cthe gallop\u201d section. So cool how the onset of that rhythm section matches the pursuit by the Egyptians portion of the tale. One of the highlights of this section is the singing of Exodus 15 &#8211; praise for deliverance!<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Instrumental<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">The cinematic \u201cinstrumental\u201d acts as a bridge through the ages from then to now (or B.C. to A.D.), and it is cool how it features so many different riffs and melodies, almost like a mosaic of Theocracy ideas from their inception up to the here and now. Brilliant both in execution and concept.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>A.D.<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">The acoustic guitar leads us into the current age as Smith explains the state of man through the language of Scripture. I would contend that some of this melody we have heard previously \u2026 Hmm. Nevertheless, the song brilliantly builds throughout \u2013 the Matt Smith guitar solo is a highlight in its beauty and simplicity \u2013 to the culmination of melodic metal praise in the final verse. Musically speaking, whereas B.C. represents the stormy heavy power metal side of the Sea, A.D. depicts the blissful melodic metal side. (Wow, Doc, that\u2018s really lame).<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>The Sound<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><s>Suffice it to say<\/s>, <em>Mosaic<\/em> <s>might just be the best \u201csounding\u201d recording the band has delivered to date<\/s>. <s>Seriously, did I just say that? Yes, seriously, but you have to give credit where credit is due<\/s>,<s> because it is obvious that<\/s> time spent in the trenches of studio warfare for 20 years has got to count for something, right? The mix is very, very high quality \u2013 no shrill treble, no overpowering bass (not even on the vinyl) and you can discern all of the instruments easily with the vocals and instruments perfectly balanced.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Digital vs. Analog \u2026 its close this time. While I always seem to prefer the wider spectrum of frequencies available on vinyl (the blue marbled one looks amazing too), I would confess that the CD version is <s>jjjjuuussst as<\/s> good for most ears.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"540\" height=\"484\" src=\"https:\/\/heavensmetalmagazine.com\/wp-content\/uploads\/2023\/11\/Theocracy-Mosaic-vinyl.webp\" alt=\"\" class=\"wp-image-10432\" srcset=\"https:\/\/heavensmetalmagazine.com\/wp-content\/uploads\/2023\/11\/Theocracy-Mosaic-vinyl.webp 540w, https:\/\/heavensmetalmagazine.com\/wp-content\/uploads\/2023\/11\/Theocracy-Mosaic-vinyl-300x269.webp 300w, https:\/\/heavensmetalmagazine.com\/wp-content\/uploads\/2023\/11\/Theocracy-Mosaic-vinyl-150x134.webp 150w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Let\u2019s Get Physical<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The <strong>CD<\/strong> comes in a triple gatefold with 16-page booklet. Here comes the bad part \u2013 the lyrics font and coloration is not very easy to read. Too much brown in the mix, but this is a minor complaint and probably a personal preference issue. That cover art on the other hand\u2026<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">1. Flicker (3:58)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. Anonymous (5:50)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. Mosaic (5:25)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4. Sinsidious (The Dogs of War) (6:46)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5. Return to Dust (4:27)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">6. The Sixth Extinction (5:27)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">7. Deified (4:18)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">8. The Greatest Hope (3:15)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9. Liar, Fool or Messiah (7:37)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">10. Red Sea (19:08)<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">The <strong>vinyl <\/strong>version is essential if for no other reason than the cover art! Perfect conceptual construction with the parts all pieced together and the world in the middle. That\u2019s good art and great creativity \u2013 an album cover worthy of album covers for the sake of album covers! <s>This is why vinyl rules!!<\/s> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I love the sound of this vinyl rendering, and the quality is superb \u2013 very little to no surface noise. If possible, these songs just sound more massive, more epic this way. It comes with two LP\u2019s, the gatefold jacket and the 4-page 12&#215;12 booklet with lyrics.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Side A<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1. Flicker (3:58)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2. Anonymous (5:50)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">3. Mosaic (5:25)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Side B<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">4. Sinsidious (The Dogs of War) (6:46)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5. Return to Dust (4:27)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">6. The Sixth Extinction (5:27)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Side C<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">7. Deified (4:18)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">8. The Greatest Hope (3:15)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">9. Liar, Fool or Messiah (7:37)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Side D<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">10. Red Sea (19:08)<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/atomicfire-records.com\" target=\"_blank\" rel=\"noreferrer noopener\">Atomicfire-records<\/a><\/p>\n\n\n\n\n","protected":false},"excerpt":{"rendered":"<p>ALBUM OF THE YEAR [REDACT!] Likely an understatement (and so music journalist clich\u00e9) to say&#8230;<\/p>\n","protected":false},"author":4,"featured_media":10430,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1020],"tags":[2213,599,183,146,409],"class_list":["post-10429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-atomic-fire-records","tag-matt-smith","tag-melodic-metal","tag-power-metal","tag-theocracy-d17"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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