{"id":11860,"date":"2024-08-02T21:41:55","date_gmt":"2024-08-03T01:41:55","guid":{"rendered":"https:\/\/heavensmetalmagazine.com\/?p=11860"},"modified":"2024-08-03T10:06:01","modified_gmt":"2024-08-03T14:06:01","slug":"ken-tamplin-stand-up-and-shout","status":"publish","type":"post","link":"https:\/\/heavensmetalmagazine.com\/index.php\/2024\/08\/02\/ken-tamplin-stand-up-and-shout\/","title":{"rendered":"KEN TAMPLIN: Stand Up and Shout"},"content":{"rendered":"\n
<\/div>\n\n\n\n

What\u2019s in a Fan?<\/h2>\n\n\n\n

While I wouldn\u2019t consider myself a die-hard, own-everything-he\u2019s-ever-released Tamplin fan, I sure do have a bunch of his music in my library (33 items to be precise spanning LP\/CD\/Cassette from Shout\/Tamplin\/Magdallan \u2026 reissues included). To say the rock\/metal of Ken Tamplin has been part of my life and musical journey over the past 3 decades wouldn\u2019t be untrue.<\/p>\n\n\n\n

Furthermore, I have tremendous respect for the man, his music and his walk \u2013 his lyrics have always helped me through dark times. And his commitment to professionalism in songwriting, singing\/playing and sound production, his ability to surround himself with the best talent in the trade, has always both amazed and encouraged me.<\/p>\n\n\n\n

What\u2019s in a Compilation?<\/h2>\n\n\n\n

Similarly, while I wouldn\u2019t consider myself a die-hard fan of compilation releases, I sure do have a bunch of these in my library (no count here) as well. In considering compilation releases there really are two types: the infamous \u201cbox set\u201d of the artist\u2019s entire catalog of releases and the more carefully culled \u201cbest of\u201d song collections.<\/p>\n\n\n\n

The former, if offered in remastered or never previously available formats with meaningful books or booklets\/commentary\/write-ups\/packaging can be quite enjoyable, especially for the die-hard fan. (Queen\u2019s vinyl box set with artbook\/commentary on every release is one of the best truly comprehensive \u201cbox sets\u201d I\u2019ve encountered).<\/p>\n\n\n\n

Importantly, the latter can also be quite enjoyable if presented in a new format with new commentary and previously unreleased or re-recorded material. Regardless of compilation type, beautiful packaging, artwork and design layout is requisite.<\/p>\n\n\n\n

What\u2019s in this Compilation?<\/h2>\n\n\n\n

Girder Music has already reissued\/remastered over the past few years all the Shout releases, Magdallan’s Big Bang<\/em> (vinyl)<\/a> and most of the original material Tamplin solo releases (except for We the People<\/em>), so the natural question by fans might be, \u201cWhy a compilation?\u201d Consider two reasons \u2013 compacted listening experience and more importantly, a tribute to the artist.<\/p>\n\n\n\n

As to the former, some fans (of any given artist) want everything the artist releases while other fans are content with a more limited palette, the most representative material. As to the latter, what isn\u2019t to enjoy or appreciate about a celebration of a gifted artist with such a massive catalog of releases, especially when the quality of music is the caliber of Ken Tamplin\u2019s legacy.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Worthy Tribute<\/h2>\n\n\n\n

For starters, Stand Up and Shout<\/em> is lavishly packaged. A thick cardstock slipcase encases the glossy 8-panel digi-wallet which houses the four discs \u2013 the sleek, compact design both eco-friendly and ergonomic (pictured below).<\/p>\n\n\n\n

The 16-page booklet is, in my opinion, one of the selling points of this compilation. Not only are the memorabilia photos and layout design cool, the nearly 4,000 word \u201cA Rock Legend\u2019s Journey<\/em>\u201d written by John DeLaurentis is a wonderfully written chronicle of the Ken Tamplin life and musical journey. The final few pages contain the listing of all the included tracks with credits. It would have been nice to hear more explanation of the reworked and previously unreleased tracks, as well as pictures of all the album covers, but space and cost always factor into these releases.<\/p>\n\n\n\n

Ken Tamplin is credited with the curation of these 69 songs. This is always a difficult process, and as listeners and fans we are almost never privy to the rationale behind what is included\/what is excluded in this type of compilation. Different songs mean different things to artists and fans alike, so who is to judge \u2013 one reason I rarely attempt to review a compilation, even when it includes tons of new material.<\/p>\n\n\n\n

Incidentally, on that note, the other great selling point here are the 6 reworked songs and the 22 previously unreleased tracks \u2013 the unreleased tracks a mix of Tamplin originals and cover songs.<\/p>\n\n\n\n

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Disc One: Shout<\/h3>\n\n\n\n

First, Shout!<\/strong><\/h4>\n\n\n\n

Few will deny the alliance of Chuck King and Ken Tamplin was a great event in the late \u201880\u2019s, especially for fans of melodic metal. Those first two albums were very good to great. The mix of songs included here might surprise as the emphasis is on the first release It Won\u2019t Be Long<\/em>, 7 out of the 9 original tracks here included.<\/p>\n\n\n\n

In Your Face!<\/strong><\/h4>\n\n\n\n

Often hailed as the most impactful of the three Shout releases with the huge hooks, infectious melodies and astonishingly outrageous guitar shredding, In Your Face<\/em> is represented by only three tracks \u2013 perhaps because most fans own this one \u2013 but the new version (almost one minute shorter than the original) of the iconic opener \u201cBorderline<\/strong>\u201d makes a strong statement. While not credited as a 2024 remix, I would assume this is the case as the other \u201cnew versions\u201d on this compilation are credited as such.<\/p>\n\n\n\n

At the Top of Your Lungs\u2026<\/strong><\/h4>\n\n\n\n

Fortunately, the shred-fest title track (extended version \u2013 30 seconds longer) \u201cIn Your Face<\/strong>\u201d from the At the Top of Their Lungs<\/em> compilation is included here, along with the other two \u201cpreviously unreleased\u201d (up to that point) tracks from that 1992 release.  \u201cWhen Secrets Cry Out<\/strong>\u201d and \u201cLittle Liar (Luci)<\/strong>\u201d are worthy inclusions for sure as many fans may not have ever heard these if they never owned or heard the 1992 compilation.<\/p>\n\n\n\n

Then \u2026 Shout Back!<\/strong><\/h4>\n\n\n\n

Finally, the comeback 1999 Shout Back<\/em> \u2013 a very solid collection of songs \u2013 is here represented by just three tracks. Once again, the new version of \u201cIn the Brave Days of Old<\/strong>\u201d breathes life into what was already a fantastic groove-riddled rocker. I hear more bass presence and drum punch in this version but darn if they aren\u2019t close (roughly, same duration). What an amazing song!<\/p>\n\n\n\n

Presumably, all the songs (except for the new version tracks) on this disc (as well as the entire compilation) are lifted from the Girder remasters as the bass presence in the mix is more prominent and the master volume lifted. [A greater explanation in the liner notes regarding song selection, new versions, unreleased tracks, etc. would have made this a more complete compilation.]<\/p>\n\n\n\n

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Disc Two: Tamplin Earlier<\/h3>\n\n\n\n

While the sheen \u201cMedia Mania<\/strong>\u201d from Soul Survivor<\/em> is tacked onto the end of Disc One, this disc features the early, and best known, Tamplin solo releases \u2013 An Axe to Grind <\/em>(1990), Soul Survivor<\/em> (1991) and the masterful self-titled Tamplin <\/em>(1993). The latter was arguably the best album of Tamplin\u2019s solo career, and the 6 songs here represented are also arguably the best songs from that release. [Incidentally, I am not thrilled about the sequencing on this compilation \u2013 probably related as to how best fit the selected songs on four CDs.]<\/p>\n\n\n\n

Soul<\/strong><\/h4>\n\n\n\n

Regardless, three songs from Soul Survivor<\/em> lead off the setlist. And while the songs selected are representative of the best that album had to offer (the heavily vocally layered \u201cI\u2019m Gonna Live Forever<\/strong>\u201d brilliant), Soul Survivor<\/em> was the somewhat less impressive (still solid) follow-up to the 1990\u2019s brilliant An Axe to Grind<\/em> which introduced the Christian metal scene to guitar extraordinaire Scott Van Zen. Therefore, it is great to have most of the hits from that Tamplin \u201csolo\u201d debut album on Stand Up & Shout<\/em>.<\/p>\n\n\n\n

Axe<\/strong><\/h4>\n\n\n\n

Impactfully, with the likes of Lanny Cordola, Mark St. John and Scott Van Zen (guitars), Joey Galleta and Ken Mary (drums) and Chuck King (bass) Axe<\/em> was one impressive slab of melodic metal bliss. \u201cLivin\u2019 For My Lord<\/strong>\u201d was probably the most accessible and completely sold-out to the Christian faith song on the record, but the follow-up shredders \u201cStraight Between the Eyes<\/strong>\u201d and \u201cNot Alone<\/strong>\u201d were absolute killer rockers with tons of conviction and guitar pomp. And then \u201cGoin\u2019 Home<\/strong>\u201d \u2013 a bluesier song which mirrored the soloistic virtues of the In Your Face<\/em> title track \u2013 showcased a ton of guitar swagger. Furthermore, ballads were not to be excluded as \u201cNever Give Up<\/strong>\u201d (the tribute to Tamplin\u2019s wife) and \u201cI Hear Cryin\u2019<\/strong>\u201d graced the setlist and in doing so provided great balance and diversity.<\/p>\n\n\n\n

Tamplin<\/strong><\/h4>\n\n\n\n

Subsequently, the tracks from Tamplin<\/em> are well-selected. While it could be argued that all the songs from that iconic release could have been included, I can\u2019t argue with the included \u201chits.\u201d For those not familiar, this release was a \u201cdiamond in the rough\u201d when it was released in 1993. As the rock\/metal world was moving in a decisively less melodic and more angsty direction at the time, songs like \u201cDancing on the Volcano<\/strong>\u201d and \u201cSlave Trade<\/strong>\u201d played out like a \u201clast stand\u201d for melodic metal in the decade. \u201cIn the Lap of Legends<\/strong>\u201d was the perfect tribute to rock icons old, while \u201cDon\u2019t Let the Sky Fall on Me<\/strong>\u201d represented the quintessential melodic rock radio friendly song which would have ruled the airwaves a mere 4 years earlier.<\/p>\n\n\n\n

Dove<\/strong><\/h4>\n\n\n\n

Consequently, it should come as no surprise that this album won the Dove Metal Album of the Year<\/em>. At the time I rated this a 9.5\/10 and can honestly stand by that rating to this day. Shedding the sometimes-syrupier tricks of the late 80\u2019s\/early \u201890\u2019s melodic metal trade, Tamplin<\/em> still, to this day, sounds like a great gritty, rock record with plenty of groove, melodic catchiness and it was well mixed to boot. Bold statement from an artist who wasn\u2019t afraid to testify not only to his faith but his commitment to melodic rock\/metal during an era when it was clearly not popular to do either.<\/p>\n\n\n\n

Wake Remake<\/strong><\/h4>\n\n\n\n

Perplexingly, in sequential time confusion, the last two tracks here are from 2003\u2019s Wake the Nations<\/em>, the latter track, \u201cGod in Heaven<\/strong>\u201d the third of the \u201cremake\u201d tracks in this collection. This bluesy slow cooker was once again showcasing not only Tamplin\u2019s faith, but his unabashed commitment to the music of his youth.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Disc Three: Tamplin Later<\/h3>\n\n\n\n

Here the sequence gets even crazier because things open with three more quality tracks from Wake the Nations<\/em> (2003) before moving back in time to three tracks from 1992\u2019s Big Bang<\/em> release. From a sonic perspective I think Wake the Nations<\/em> is one of the best \u201csounding\u201d recordings ever from this artist. Such a balanced recording with the perfect blend of song diversity and balanced sound mix.<\/p>\n\n\n\n

Big Bang Revisited<\/strong><\/h4>\n\n\n\n

Equally audacious, Magdallan\u2019s debut release was special, one of the best sounding and most innovative melodic rock\/metal albums from that era. This new version of \u201cBig Bang<\/strong>\u201d has a bigger, more contemporary mix as does this new interestingly nuanced version of \u201cRadio Bikini<\/strong>.\u201d These two songs are worth the price of the disc, but \u201cHouse of Dreams<\/strong>\u201d from the original release, another wonderful example of great songwriting, is also included and serves as a nice comparison. If you thought the original album sounded great, you should hear the difference here when it is A\/B\u2019d to these new versions.<\/p>\n\n\n\n

Diversity<\/strong><\/h4>\n\n\n\n

Subsequently, back in chronological sequence, three songs are included from the oft neglected In the Witness Box<\/em>, followed by three tracks from We the People<\/em> (1996) and the title track (new version) from the more eclectic, sensual and somewhat jazz influenced Where Love Is<\/em> (1998). These albums are vastly different in style, showcasing the wide arsenal Tamplin has deployed in the music creation process over the years.<\/p>\n\n\n\n

Hallelujah Box<\/strong><\/h4>\n\n\n\n

In the Witness Box<\/em> was unfortunately in a difficult position following up that amazing self-titled release, but with Joey Tofalla replacing Van Zen on lead guitars along with Lanny Cordola making a return to the Tamplin roster, these songs still featured amazing melodies and guitar leads and solos. The virtuosic guitar noodling on the soulful \u201cSing Hallelujah<\/strong>\u201d remains one of my favorite moments from this album, along with \u201cAlma Rose\u201d which was sadly not included on this compilation. Still, \u201cFeed Me<\/strong>,\u201d reminiscent of \u201cMedia Mania,\u201d along with the quirky \u201cStrange Fascination<\/strong>\u201d are worthy of inclusion here.<\/p>\n\n\n\n

Funky Jazz Gospel Pop<\/strong><\/h4>\n\n\n\n

Contrastingly, the Gospel-influenced, much more pop-oriented We the People<\/em> was a sharp change in pace and style for Tamplin, but it was still a quality record. The three songs included here are a nice representation, \u201cSave Me<\/strong>\u201d an absolutely beautiful, pew-swaying plea for salvation. \u201cDaughters of Time<\/strong>\u201d similarly channels Queen with piano lead and string\/horn\/sax accompaniment like you might hear soundtrack to a musical. \u201cWhen Angels Cry<\/strong>\u201d delivers more of the \u201cheavily orchestrated\u201d bombast but with a bit more pace and groove.<\/p>\n\n\n\n

I suppose it just makes sense to tack the sole representative song from Where Love Is<\/em> right on the tail of those three songs. This is the 6th<\/sup> (and final) of the \u201cnew exclusive\u201d versions in the collection. Again, here would have been another nice place to have some insight into the genesis in this new version, along with commentary from Tamplin about the 22 tracks which follow\u2026<\/p>\n\n\n\n

Eclectica Released<\/strong><\/h4>\n\n\n\n

The last five tracks on Disc Three feature previously unreleased original songs \u2026 and what a diverse group of songs have we here? \u201cCaught in the Wonder of You<\/strong>\u201d has a Spanish\/flamenco sensuality that isn\u2019t exactly what you would expect from a melodic rocker, but it works. Think of a toned-down version of \u201cMidnight \u2018n Peru\u201d (Soul Survivor<\/em>), blue water and white sand\u2026<\/p>\n\n\n\n

The passion continues with \u201cStill a Mystery<\/strong>\u201d which serves as gentle interlude to the light, upbeat groovy rocker \u201cWhy Can\u2019t You Understand Me<\/strong>\u201d a plea for acceptance. Things then flow into Deep Purple\/Led Zeppelin territory with a heavy rock cry to \u201cBelieve<\/strong>.\u201d Man, this song could have ruled the airwaves in 1977 \u2013 Tamplin doing a great Coverdale tribute.<\/p>\n\n\n\n

\u201cWhen You\u2019re Gone<\/strong>\u201d comes full circle to a plea for forgiveness and reconciliation featuring acoustic guitar and the purity of Tamplin\u2019s words and voice.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Disc Four: Unreleased\/Covers<\/h3>\n\n\n\n

Eclectica Released (continued)<\/strong><\/h4>\n\n\n\n

The opening four tracks once again feature original material. \u201cStormbringer<\/strong>\u201d leads off with more Zeppelin-like grooves on guitar and drums as Tamplin once again channels Coverdale vocally, but this is not the Deep Purple version of song of the same name. More \u201870\u2019s inspired music with \u201cAnd it Pours<\/strong>\u201d which is a catchy straight rocker with slick guitar solo. \u201cShow Me the Way Out<\/strong>\u201d moves into heavier 80\u2019s\/90\u2019s rhythm with a disco beat. Think Red Hot Chili Peppers on \u201cSomeone I\u2019ve Got to Be<\/strong>,\u201d laid-back \u201890\u2019s chill rock. Yep, no matter the era, Tamplin pulls it off with both creativity and credibility.<\/p>\n\n\n\n

Pop Cover Mania<\/strong><\/h4>\n\n\n\n

Therefore, not surprisingly, the next 13 tracks consist of Tamplin cover songs spanning the period from 1971 to 2021! Not only do these songs showcase Tamplin\u2019s immense diverse musical influences but this little collection of songs pays tribute to his influence and respect for the great music and artists of the recent past decades.<\/p>\n\n\n\n

\u201cThe Living Years<\/strong>\u201d by Mike (Rutherford) and the Mechanics (1988) was one of the most iconic and endearing pop songs from the late \u201880\u2019s and this rendition mirrors the original with power and passion.<\/p>\n\n\n\n

Similarly, Mr. Mister\u2019s \u201cKyrie<\/strong>\u201d \u2013 another pop giant from the era \u2013 is beautifully rendered with a bit more musical punch and is followed in tandem by the other big hit from 1985\u2019s Welcome to the Real World<\/em>, \u201cBroken Wings<\/strong>.\u201d It is readily apparent these cover songs display Tamplin\u2019s amazing voice.<\/p>\n\n\n\n

In total transition, Jonathan Helser\u2019s moving \u201cNo Longer Slaves<\/strong>\u201d (2015) features a faster pace with more musical pomp than the original, but Tamplin\u2019s voice perfectly elicits the same tearful emotional response of gratitude for redemption and freedom.<\/p>\n\n\n\n

Moving back in time to 1984, Tamplin once again shows his love for great melodic rock performing Foreigner\u2019s \u201cI Want to Know What Love Is.\u201d <\/strong>At this point you might be asking, \u201cIs there any artist\/band this guy couldn\u2019t front?\u201d<\/p>\n\n\n\n

Nope.  When you can perfectly sing country music\u2019s Restless Heart \u201cI\u2019ll Still Be Loving You<\/strong>\u201d followed by Seal\u2019s \u201cCrazy<\/strong>\u201d (1991) and then Bread\u2019s \u201cEverything I Own,\u201d (1972) there is just about nothing off limits.<\/p>\n\n\n\n

And if that is not enough diversity for you, take the new wave oriental cinematic \u201cStranger<\/strong>\u201d (2021) from Igor Krutoy\/Dimash and listen as Tamplin creates his own interpretation of this gem. If you don\u2019t think he can still sing those incredibly high notes with clarity, think again. Amazing.<\/p>\n\n\n\n

Moving back to the pop icons of the early \u201890\u2019s, Duran Duran\u2019s balladic \u201cOrdinary World<\/strong>\u201d gets the royal treatment with lush mix and Tamplin\u2019s uncanny voice which so effortlessly adapts to the style at hand. And it wouldn\u2019t be a pop legend tribute of covers without a song from the iconic U2. 1991\u2019s \u201cMysterious Ways<\/strong>\u201d is perhaps not the U2 song one might imagine earning an appearance here, but at this point you should not be surprised that Tamplin can channel Bono as well. Wow.<\/p>\n\n\n\n

Subsequently, and in finale, Tamplin dives down deep into the waters of the early \u201870\u2019s (1971) with two more hits with completely opposite styles. The soulful, flamenco driven rendition of Bill Withers\u2019 \u201cAin\u2019t No Sunshine<\/strong>\u201d stands in contrast to the Bee Gee\u2019s \u201cHow Deep Is Your Love<\/strong>\u201d yet the way these two songs have been rendered musically seamlessly ties everything together.<\/p>\n\n\n\n

While I realize we are a rock\/metal webzine, I can\u2019t help but applaud this brief, yet incredibly representative, journey down melodic pop rock lane. Tamplin perfectly channels all the greats in a respectful and creative manner \u2013 one which also stands up and shouts the glory of his gifts and talents as a singer\/musician\/songwriter.<\/p>\n\n\n\n

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All Shouted Out<\/h2>\n\n\n\n

In all, Stand Up and Shout<\/em> is a monumental collection\/compilation of Ken Tamplin\u2019s life works. No fan of the man will want to pass this up. While most compilations exclude any new content, there is a ton of previously unreleased \u2013 and new renditions \u2013 to make this unique. Add a tremendously complete and well-written synopsis of Tamplin\u2019s journey by John DeLaurentis along with economical yet sleek packaging and you\u2019ve got what I would rate as an excellent compilation and tribute to one of the most prolific, diverse, talented, creative and consistently great rock artists of the past 30 years.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Disc One (75:17)<\/strong><\/h3>\n\n\n\n

1. Never Stop (4:03)<\/p>\n\n\n\n

2. Winners or Losers (3:47)<\/p>\n\n\n\n

3. It Won\u2019t Be Long (4:23)<\/p>\n\n\n\n

4. Find a Way (4:55)<\/p>\n\n\n\n

5. Shout (4:25)<\/p>\n\n\n\n

6. Showdown (4:06)<\/p>\n\n\n\n

7. Timeless Love (4:39)<\/p>\n\n\n\n

8. Borderline* (3:43)<\/p>\n\n\n\n

9. When The Love Is Gone (4:16)<\/p>\n\n\n\n

10. Give Me an Answer (3:53)<\/p>\n\n\n\n

11. In Your Face (Extended Version) (5:46)<\/p>\n\n\n\n

12. In The Brave Days of Old* (5:17)<\/p>\n\n\n\n

13. Dreams For Sale (4:12)<\/p>\n\n\n\n

14. More Than Kisses (3:40)<\/p>\n\n\n\n

15. When Secrets Cry Out Loud (5:00)<\/p>\n\n\n\n

16. Little Liar (Luci) * (4:17)<\/p>\n\n\n\n

17. Media Mania (4:45)<\/p>\n\n\n\n

<\/div>\n\n\n\n

Disc Two (77:33)<\/strong><\/h3>\n\n\n\n

1. I\u2019m Gonna Live Forever (3:34)<\/p>\n\n\n\n

2. Stay By My Side (3:26)<\/p>\n\n\n\n

3. Come and Save Me (4:02)<\/p>\n\n\n\n

4. Livin\u2019 For My Lord (4:55)<\/p>\n\n\n\n

5. Straight Between the Eyes (4:17)<\/p>\n\n\n\n

6. Goin\u2019 Home (5:26)<\/p>\n\n\n\n

7. Never Give Up (5:15)<\/p>\n\n\n\n

8. Not Alone (3:51)<\/p>\n\n\n\n

9.  I Hear Cryin\u2019 (4:50)<\/p>\n\n\n\n

10. Holdin\u2019 On\/The Chase (3:39)<\/p>\n\n\n\n

11. Dancing on a Volcano (4:19)<\/p>\n\n\n\n

12. Slave Trade (4:14)<\/p>\n\n\n\n

13. Testify (5:27)<\/p>\n\n\n\n

14. Don\u2019t Let the Sky Fall on Me (6:22)<\/p>\n\n\n\n

15. In the Lap of Legends (4:24)<\/p>\n\n\n\n

16. The Story of Love (4:43)<\/p>\n\n\n\n

17. God in Heaven* (4:42)<\/p>\n\n\n\n

<\/div>\n\n\n\n

Disc Three (73:37)<\/strong><\/h3>\n\n\n\n

1. Wake the Nations (3:56)<\/p>\n\n\n\n

2. Sing (5:17)<\/p>\n\n\n\n

3. Falling Houses (5:08)<\/p>\n\n\n\n

4. Big Bang* (3:50)<\/p>\n\n\n\n

5. Radio Bikini* (3:38)<\/p>\n\n\n\n

6. House of Dreams (4:27)<\/p>\n\n\n\n

7. Feed Me (3:50)<\/p>\n\n\n\n

8. Sing Hallelujah (4:26)<\/p>\n\n\n\n

9. Strange Fascination (3:32)<\/p>\n\n\n\n

10. Save Me (4:46)<\/p>\n\n\n\n

11. Daughters of Time (6:11)<\/p>\n\n\n\n

12. When Angels Cry (4:04)<\/p>\n\n\n\n

13. Where Love Is* (3:30)<\/p>\n\n\n\n

14. Caught in the Wonder of You** (4:24)<\/p>\n\n\n\n

15. Still a Mystery** (2:47)<\/p>\n\n\n\n

16. Why Can\u2019t You Understand Me** (3:25)<\/p>\n\n\n\n

17. Believe** (3:46)<\/p>\n\n\n\n

18. When You\u2019re Gone** (2:34)<\/p>\n\n\n\n

<\/div>\n\n\n\n

Disc Four (70:26)<\/strong><\/h3>\n\n\n\n

1. Stormbringer** (4:10)<\/p>\n\n\n\n

2. And it Pours** (3:37)<\/p>\n\n\n\n

3. Show Me the Way Out** (3:38)<\/p>\n\n\n\n

4. Somone I\u2019ve Got to Be** (4:08)<\/p>\n\n\n\n

5. The Living Years** (5:05)<\/p>\n\n\n\n

6. Kyrie** (4:05)<\/p>\n\n\n\n

7. Broken Wings** (3:53)<\/p>\n\n\n\n

8. No Longer Slaves** (5:16)<\/p>\n\n\n\n

9. I Want to Know What Love Is** (4:43)<\/p>\n\n\n\n

10. I\u2019ll Still Be Loving You** (4:05)<\/p>\n\n\n\n

11. Crazy** (4:23)<\/p>\n\n\n\n

12. Everything I Own** (3:06)<\/p>\n\n\n\n

13. Stranger** (4:47)<\/p>\n\n\n\n

14. Ordinary World** (4:17)<\/p>\n\n\n\n

15. Mysterious Ways** (3:01)<\/p>\n\n\n\n

16. Ain\u2019t No Sunshine** (4:06)<\/p>\n\n\n\n

17. How Deep Is Your Love** (3:57)<\/p>\n\n\n\n

*New Version<\/strong><\/p>\n\n\n\n

**Previously Unreleased<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

Girder Records<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

What\u2019s in a Fan? 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