{"id":12917,"date":"2024-11-23T14:31:48","date_gmt":"2024-11-23T19:31:48","guid":{"rendered":"https:\/\/heavensmetalmagazine.com\/?p=12917"},"modified":"2024-11-23T14:31:48","modified_gmt":"2024-11-23T19:31:48","slug":"review-damascus-the-road-to-damascus","status":"publish","type":"post","link":"https:\/\/heavensmetalmagazine.com\/index.php\/2024\/11\/23\/review-damascus-the-road-to-damascus\/","title":{"rendered":"Review: Damascus &#8211; The Road to Damascus"},"content":{"rendered":"\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">From Haze to Damascus<\/h2>\n\n\n\n<p>Damascus was a Christ-centric progressive rock band from the \u201880\u2019s, contemporaries with AD, Kerry Livgren, Arkangel and largely the brainchild of the multi-instrumentalist\/singer Tom McKeown (<a href=\"http:\/\/shadowfields.com\">Shadowfields<\/a>). The band\u2019s inception (early \u201880\u2019s) was inspired by a car accident involving McKeown and his then band Haze, an incident McKeown later acknowledged changed the course of his life forever. With the change to a life in Christ, McKeown formed a new band with a new vision \u2013 from (the) Haze was born Damascus.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Damascus Prog <\/h2>\n\n\n\n<p>Consequently, influenced by his childhood musical heroes (Kansas, Genesis, Yes, ELP and later Saga), Damascus would move in a musical direction which was not popular amidst the budding Christian rock\/AOR scene \u2013 progressive rock. Along with his previous band\u2019s bass player Cliff Zweibruck, McKeown would later be rejoined by Marc Reich (guitars\/vocals) after he returned from college and even later by drummer David Coy.<\/p>\n\n\n\n<p>Musically, where Trytan was the \u201880\u2019s Christian Rush-infused prog juggernaut, Damascus was the scene\u2019s Kansas\/Yes (heavy keyboard emphasis) infused prog rock dynamo. Hence, the music was much more instrumentally focused than most \u201cGospel\u201d rock acts at the time were either recording or for which they were awarded airplay. Therefore, neither their 1983 self-titled EP nor any of their 3 full-length albums were previously released in formats other than self-financed cassette.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Tide Turned<\/h2>\n\n\n\n<p>Unfortunately, their final release, due to the collapse of the band in the early \u201890\u2019s, was never released. Fast forward to 2024 and the folks at <a href=\"http:\/\/roxxrecords.com\" target=\"_blank\" rel=\"noreferrer noopener\">Roxx Records<\/a> (Bill Bafford) have lovingly \u2013 with the help of McKeown \u2013 put together this excellent anthology of the entire Damascus works, including the 9 tracks which comprised the never-before released album <em>The Turning Tide<\/em>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Damascus Unchained<\/h2>\n\n\n\n<p>This 2 CD set is chock full of surprisingly well-recorded progressive \u201clight\u201d rock. A mix of early Kansas and early Yes is a good place to start, although as Damascus moved into the early 90\u2019s their sound did change somewhat along with the shifting musical trends of the time. One thing which was consistent throughout, though, was the uplifting lyrical praise and adoration for the redeemed life in Christ.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"DAMASCUS - LEAD ME ON\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/NahDDNZl7iM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">The Complete Anthology<\/h2>\n\n\n\n<p><em>The Road to Damascus<\/em> includes a 24-page booklet with historical perspective, Roxx interview with Tom McKeown and the complete lyrics. The complete track listing with durations (below) reveals a plethora of music to be discovered (or re-discovered) for the fan of 70\/80\u2019s progressive rock.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Damascus<\/em> EP (1983)<\/h3>\n\n\n\n<p>Granted, some of this material sounds \u201cdated\u201d by today\u2019s standards of progressive musical expression, but from the perspective of those who were raised on this kind of rock \u2013 \u201870\u2019s keyboard rich experimentation \u2013 a song like \u201c<strong>Slipping Away<\/strong>\u201d is incredibly refreshing in an era of overly compressed digital \u201cperfection.\u201d The analog sound is robust, the lyrics are truthful \u2013 think Kansas. <\/p>\n\n\n\n<p>On the other hand, \u201c<strong>Nothing Left to Fear<\/strong>\u201d is reminiscent of those early Yes years, especially that Steve Howe guitar sound accompanied by Jon Anderson-like vocals. More surprising than the likeness to the greats of the \u201870\u2019s is how well these songs (lifted from analog source) sound in digital.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Will I Find You There?<\/em> (1984)<\/h3>\n\n\n\n<p>Surprisingly, the opening drum and keyboard salvo to the <strong>title track<\/strong> could easily be mistaken for Kansas, but when the vocals and harpsichord-ish keys follow, you know you are listening to Damascus. The sweeping keyboard passages combine with a compelling melody and the push and pull of the rhythms are a primo display of the band\u2019s songwriting ability.<\/p>\n\n\n\n<p>Furthermore, \u201c<strong>Truth<\/strong>\u201d displays yet another side of the band\u2019s character \u2013 their ability to write a song which is both technically adept yet filled with tons of melodic appeal. The message of \u201cHe alone is truth\u201d is similarly timeless.<\/p>\n\n\n\n<p>Subsequently, think Kerry Livgren instrumentation on \u201c<strong>A Father\u2019s Only Son<\/strong>\u201d where the message stands at the forefront of the song, yet the supporting music is deeply creative; that Howe guitar tone once again permeates the middle section along with the almost circus-y keys. The multi-layered vocal outro harmonizing once again reflects the Yes influence.<\/p>\n\n\n\n<p>The upbeat and melodic exhortation \u201c<strong>His Love Today<\/strong>\u201d is followed by the similarly encouraging \u201c<strong>Circle of God\u2019s Love<\/strong>\u201d with its definitively Kansas vibe. <\/p>\n\n\n\n<p>Unsurprisingly, the culmination of Damascus\u2019s debut full-length release is a full-on epic 9-minute track which builds from humble beginnings (lyrically and musically) to majestic proclamation.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><em><strong>\u201cLord, you have my life; Your Spirit moves through me\/Faith in only you; I feel your peace\/The righteousness I seek could not be found in me\/A gift of God if only you\u2019ll receive\u201d<\/strong><\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Hence, the glory of &#8220;<strong>The Lost Prayer<\/strong>&#8221; is in the juxtaposition of the simple message with the complexity of the composition, much akin to Barnabas\u2019 \u201cBreathless Wonderment.\u201d <\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Influences<\/h4>\n\n\n\n<p>One could argue fairly that Damascus wore their influences a bit too heavily on this release, but that would be the only criticism as the execution and credibility factor remains, even to this day. Hard indeed to imagine how Damascus remained unsigned in 1984 after such a strong, independent effort.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Timeless<\/em> (1987)<\/h3>\n\n\n\n<p>As the sound of \u201cprog\u201d continued to morph during the decade of decadence, Damascus made some changes of their own but did so without altering the endearing qualities which their new-found fan base had come to appreciate. <\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Damascus Saga<\/h4>\n\n\n\n<p>Therefore, on the opening track, \u201c<strong>Time for a Season<\/strong>,\u201d more contemporary keyboard and drumming styles  are readily apparent \u2013 hence the Saga influence. However, \u201c<strong>What Four?<\/strong>\u201d &#8211; with those patented guitar and keyboard sounds &#8211; goes a long way to reassure fans that the Damascus sound is intact. <\/p>\n\n\n\n<p>The songs on <em>Timeless<\/em> also feature just a bit more pace and aggression along with a punchier (Chris Squire-like) bass presence. \u201c<strong>A Knight to Remember<\/strong>\u201d even presents a more urgent McKeown vocal push.<\/p>\n\n\n\n<p>Similarly, in lockstep with the late \u201880\u2019s musical direction, the songs are not only a bit more dramatic, but also shorter in duration \u2013 instamatic \u201880\u2019s flash vs. wuthering \u201870\u2019s complexity. I think the <strong>title track<\/strong> here exemplifies a band not only anchored by their roots but also furrowing effectively into contemporary soil.<\/p>\n\n\n\n<p>Paradoxically, \u201c<strong>Lord of the Mountain<\/strong>\u201d (written by Marc Reich) follows with this beautiful ballad-praise number with musical roots in the folksy country soil of a rocky mountain high. Humble and deeply inspiring, the song showcases the diversity of Damascus, a band capable and willing to step out of their musical comfort zone.<\/p>\n\n\n\n<p>In finale, the short album closes with another upbeat song, \u201c<strong>The Keeper<\/strong>,\u201d which blends all the aforementioned influences seamlessly \u2013 the sincere lyrical declaration, the melodic catchiness, the drum and rhythmic expression and the perfect execution \u2013 into the amalgamation of the Damascus sound.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Timeless Impact<\/h4>\n\n\n\n<p><em>Timeless<\/em> didn\u2019t have the same impact from an instrumental standpoint as its predecessor, but the sound which the band created was less derivative of the influences and more uniquely Damascus.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>[For those still intrigued at this point, McKeown, vocally speaking, shared more in common with Steve Walsh than Jon Anderson.]<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Soon \u2026 the Doors Will Open<\/em> (1990)<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Maturity<\/h4>\n\n\n\n<p>As we hope is the case with all our favorite artists, they get better with time and age. The 1990 release showcased a maturity of both production\/mix quality and songwriting which surpassed what Damascus had previously achieved. By combining their older styles with some of the sheen of <em>Timeless<\/em> they succeeded in crafting songs with complexity, melody, more universal lyrics and yet the more accessible 3 to 5-minute durations.<\/p>\n\n\n\n<p>Consequently, the opening dual salvo of \u201c<strong>Decisions<\/strong>\u201d and \u201c<strong>Psalm AD<\/strong>\u201d perfectly showcase this propensity for putting all the elements together in a concise fashion. Then \u201c<strong>An Angel<\/strong>\u201d (one of the best songs on this release) features these huge organ sounds which are reminiscent of Yes\u2019s grandiosity with 1977\u2019s <em>Going for the One<\/em>.<\/p>\n\n\n\n<p>In contrast, \u201c<strong>Reckless<\/strong>\u201d lashes out with a quick tempo-ed almost punkish attitude. Not only are McKeown\u2019s vocals more aggressive here, the drumming, guitar and bass shred with conviction and energy as well.<\/p>\n\n\n\n<p>With \u201c<strong>Lead Me On<\/strong>,\u201d Damascus once again tackles a more melodic, radio-friendly approach. Undoubtedly, this is one of the more \u201cdated\u201d tracks on <em>Soon <\/em>due to the keyboard tones, but what can\u2019t be denied, even today, is the band\u2019s penchant for good melody and the humble plea for guidance within the words here.<\/p>\n\n\n\n<p>Similarly, \u201c<strong>Blind Peace<\/strong>\u201d has that AOR meets Radiohalo ethereal quality and pace \u2013 the emphasis on the vocals\/words. This song of praise carries a message of vitality and permanence in faith.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><em><strong>\u201cLord, highest love of God\/Crystal depth by outer wall\/Wed light, love, and joint courage\/Sustenance of my soul\u201d<\/strong><\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>\u201c<strong>Something to Live For<\/strong>\u201d returns to that nice blend of Kansas and AOR rock \u2013 almost Asia-like \u2013 where the melody and accessibility is perfectly blended with progressive indulgence. Yeah, think Asia. The similarly glorious \u201c<strong>Still Waters<\/strong>\u201d features massive keyboard orchestrations in praise of the mystery and blessing of the Trinity.<\/p>\n\n\n\n<p>In coda, \u201c<strong>Waves<\/strong>\u201d steps out of the prog rock mold presenting Kathy Coy\u2019s poem, so beautifully vocalized by the same, lightly orchestrated by McKeown\u2019s keys. <\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Damascus Vision<\/h4>\n\n\n\n<p>As with each release, the band succeeded in not only moving farther away from their musical influences into a sound of their own, but they continued to improve their production sound to stay relevant to the musical world of the times.<\/p>\n\n\n\n<p>Unfortunately, the Christian music industry of the day never aligned with the Damascus vision and sound. Fortunately, the band \u2013 despite the loss of Marc Reich, and eventually Dave \u2013 recorded just one more collection of songs\u2026<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><em>The Turning Tide<\/em> (2024)<\/h3>\n\n\n\n<p>These 9 tracks, never previously released, follow naturally in the style of the music from the previous release. Where the complexity of instrumentation is dialed back a notch, the vocal prowess of McKeown flows to the forefront with commanding passion.<\/p>\n\n\n\n<p>Furthermore, the selection of guitar tones, keyboard styles and drumming, while retaining some of the \u201880\u2019s shine, assumed a more distinctly contemporary (for the time) contour. Once again, the sound of prog meets commercial melodic rock of Asia comes to mind.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">New Songs<\/h4>\n\n\n\n<p>Both the <strong>title track<\/strong> and \u201c<strong>On a Wire<\/strong>\u201d soar with a conviction and maturity the band didn&#8217;t even attain on the triumphant <em>Soon\u2026<\/em> And the lyrically witty \u201c<strong>So the Story Goes<\/strong>\u201d features the marching snare of Coy along with gritty bass and dynamic keys.<\/p>\n\n\n\n<p>However, the percussive creativity on drums and driving bass guitar on \u201c<strong>Screwtape<\/strong>\u201d showcase a never previously realized \u201csound\u201d for Damascus. One of the best songs on the anthology, the lyrics feature C.S. Lewis\u2019 mythical demon who terrorizes the souls of men in attempt to achieve the \u201cseparation of God and man.\u201d<\/p>\n\n\n\n<p>Similarly, the sarcastic \u201c<strong>Ice of my Desire<\/strong>\u201d once again features bombastic bass guitar and percussion, the calliope-like keyboards alongside lyrical wizardry. The infectious chorus echoes in your head long after the song fades to end\u2026<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><em><strong>\u201cSlipping on the ice\/slipping on the ice of my desire\/I\u2019m just slipping on the ice of my desire\u201d<\/strong><\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>In that regard, <em>The Turning Tide<\/em> features the most inventive, impactful and deeply constructed lyrics Damascus have crafted to date. This richness of wordsmithery is further explored on the power ballad \u201c<strong>A Passing of Moments<\/strong>.\u201d Visiting the theme of soldiering (spiritual), this track slows things down in reflection and recognition of the importance of embracing every moment or our life, our walk, our service.<\/p>\n\n\n\n<p>Musically, \u201c<strong>Time is a Tool<\/strong>\u201d pushes the boundary of rock acceptance with the quirky \u201cBroadway\u201d fanfare replete with tick-tock and cuckcoo clock sound effects, but the lyrics are endearing. Meanwhile, the aptly titled \u201c<strong>Unfinished Business<\/strong>\u201d \u2013 reflecting upon both the band\u2019s plight when this was written and the urgency in the message of the lyrics &#8211; rounds out the original tracks.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><em><strong>\u201cUnfinished business of your past\/Has taken you down the wrong path\/You have to leave it at the cross\u201d<\/strong><\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Finally, the acoustic reprise of \u201c<strong>A Passing of Moments<\/strong>\u201d is the appropriate conclusion to this anthological tribute to a band which mistakenly passed under the radar of the genre\u2019s top labels\/producers back in the day. Thanks to Roxx for helping this music see the digital light of day.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><a href=\"http:\/\/roxxrecords.com\" target=\"_blank\" rel=\"noreferrer noopener\">Roxx Records<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/roxxrecords.com\/collections\/roxx-records\/products\/damascus-the-road-to-damascus-2024-2cd-anthology-limited-edition-release\" target=\"_blank\" rel=\"noreferrer noopener\">Track Listing<\/a>:<\/h2>\n\n\n\n<p><strong>CD1<\/strong><\/p>\n\n\n\n<p><em>Damascus<\/em> <em>EP <\/em>(1983)<\/p>\n\n\n\n<p>1. Slipping Away (5:31)<\/p>\n\n\n\n<p>2. Nothing Left to Fear (4:19)<\/p>\n\n\n\n<p><em>Will I Find You There?<\/em> (1984)<\/p>\n\n\n\n<p>3. Will I Find You There? (4:34)<\/p>\n\n\n\n<p>4. Truth (4:38)<\/p>\n\n\n\n<p>5. A Father\u2019s Only Son (5:29)<\/p>\n\n\n\n<p>6. His Love Today (3:28)<\/p>\n\n\n\n<p>7. Circle of God\u2019s Love (4:33)<\/p>\n\n\n\n<p>8. The Lost Prayer (9:14)<\/p>\n\n\n\n<p><em>Timeless<\/em> (1987)<\/p>\n\n\n\n<p>9. Time for a Season (3:07)<\/p>\n\n\n\n<p>10. What Four? (4:40)<\/p>\n\n\n\n<p>11. A Knight to Remember (3:38)<\/p>\n\n\n\n<p>12. Timeless (4:56)<\/p>\n\n\n\n<p>13. Lord of the Mountain (4:03)<\/p>\n\n\n\n<p>14. The Keeper (3:44)<\/p>\n\n\n\n<p><strong>CD2<\/strong><\/p>\n\n\n\n<p><em>Soon \u2026 The Doors Will Open (1990)<\/em><\/p>\n\n\n\n<p>1. Decisions (3:50)<\/p>\n\n\n\n<p>2. Psalm AD (3:39)<\/p>\n\n\n\n<p>3. An Angel (5:26)<\/p>\n\n\n\n<p>4. Reckless (4:06)<\/p>\n\n\n\n<p>5. Lead Me On (4:15)<\/p>\n\n\n\n<p>6. Blind Peace (2:49)<\/p>\n\n\n\n<p>7. Something to Live For (2:58)<\/p>\n\n\n\n<p>8. Still Waters (3:05)<\/p>\n\n\n\n<p>9. Waves (2:35)<\/p>\n\n\n\n<p><em>The Turning Tide (2024)<\/em><\/p>\n\n\n\n<p>10. On a Wire (4:34)<\/p>\n\n\n\n<p>11. The Turning Tide (3:10)<\/p>\n\n\n\n<p>12. So the Story Goes (3:48)<\/p>\n\n\n\n<p>13. Screwtape (4:01)<\/p>\n\n\n\n<p>14. Ice of my Desire (4:30)<\/p>\n\n\n\n<p>15. A Passing of Moments (5:10)<\/p>\n\n\n\n<p>16. Time is a Tool (5:55)<\/p>\n\n\n\n<p>17. Unfinished Business (3:47)<\/p>\n\n\n\n<p>18. A Passing of Moments (revisited) (5:13)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From Haze to Damascus Damascus was a Christ-centric progressive rock band from the \u201880\u2019s, contemporaries&#8230;<\/p>\n","protected":false},"author":4,"featured_media":12918,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1020],"tags":[2778,278],"class_list":["post-12917","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-damascus-band","tag-progressive-rock"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Review: Damascus - The Road to Damascus - Heaven&#039;s Metal Magazine<\/title>\n<meta name=\"description\" content=\"Damascus&#039;s &#039;The Road to Damascus&#039; is a complete anthology of this pioneering Christian prog rock band&#039;s life works, 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