{"id":18062,"date":"2026-05-19T08:12:28","date_gmt":"2026-05-19T12:12:28","guid":{"rendered":"https:\/\/heavensmetalmagazine.com\/?p=18062"},"modified":"2026-05-19T08:12:29","modified_gmt":"2026-05-19T12:12:29","slug":"review-abyssal-forest-the-great-day-of-his-wrath","status":"publish","type":"post","link":"https:\/\/heavensmetalmagazine.com\/index.php\/2026\/05\/19\/review-abyssal-forest-the-great-day-of-his-wrath\/","title":{"rendered":"Review: Abyssal Forest –\u00a0The Great Day of His Wrath"},"content":{"rendered":"\n

South American unblack metal, as I\u2019ve said before, still continues to be one of the most prolific going. But the latest horde to join under the banner of Christ is a real welcome surprise.<\/p>\n\n\n\n

Brazil\u2019s Abyssal Forest<\/strong> were initially a secular black metal band before having a change of heart and placing themselves under the banner of Christ. There\u2019s some interesting pedigree here for sure – not only do they seem to have garnered some respect in the underground, but this new release even has quite the producer at the helm: Phorgath (J\u00e9r\u00e9mie B\u00e9zier), a longtime member of Belgian black metal horde Enthroned<\/strong>. It appears that Anderson Albuquerque (who used to go by the pseudonym Skullkarved<\/strong>) is the only surviving member of the original line-up; presumably, other members left with Anderson\u2019s change of belief, though this is unclear.\u00a0<\/p>\n\n\n\n

To the music, then. If you\u2019re looking for a great new slice of atmospheric black metal that keeps it classy and doesn\u2019t overdo any one element, then this album is going to be up your alley. Beginning with some absolutely beautiful chant reminiscent of that of Hildegard von Bingen\u2019s surreal compositions backed by rain and a church organ that sounds straight out of Antestor\u2019s old days, we soon jump into the classic black metal sounds of \u201cDivine Wisdom,\u201d and you\u2019d be fooled if this was some lost record from Norway\u2019s 90\u2019s heyday. Echoing the style of early Crimson Moonlight <\/strong>and recent unblack metal act Marble Tomb<\/strong>, but with the repetitive simplicity of early Wolves in the Throne Room<\/strong>, Abyssal Forest nail the sweet spot between a sense of almost gothic atmosphere and that coldness that only a great black metal record can give the feeling of.\u00a0<\/p>\n\n\n\n

\u201cFrom Darkness into Light\u201d adds a touch of the overt keyboard stylings of fellow Brazilians Cerimonial Sacred<\/strong>, but never goes into the over-the-top classical influences that the latter do. Certainly, there\u2019s some big keyboard work on \u201cA New Day a New Mercy,\u201d but it quickly segues into some gorgeous autumnal guitar work that captivates (heard again on the last track, \u201cSweet and Loyal Divine Sovereignty,\u201d an epic of viking-esque metal). Though\u00a0The Great Day of His Wrath<\/em>\u00a0only boasts seven tracks, they certainly aren\u2019t short; almost all go past the 4-minute mark, and the longest clocks in at 9:38. And if you loved what Antestor<\/strong> was doing on\u00a0Omen<\/em>\u00a0(especially that epic \u201cMorkets Grade\u201d track), then dig in to the title track and relish the sounds within.\u00a0<\/p>\n\n\n\n

Lyrically, Abyssal Forest leaves no doubt where they now stand, and it\u2019s absolutely refreshing in\u00a0a day where some Christian bands seem almost embarrassed to be labeled as such, or languish in the nebulous work of being \u201cfaith-adjacent.\u201d I can only applaud a band like this that comes from such a dark background in the satanic black metal underground, and is unashamed of their salvation. Awesome; more of this, please.<\/p>\n\n\n\n

There\u2019s really not enough praise I can heap on this record. It doesn\u2019t reinvent the black metal wheel, but what it does, it does fantastically. If you\u2019re craving classic unblack metal in the same vein as the greats, nab this one before it\u2019s gone. <\/p>\n\n\n\n

You can check out more about the band\u00a0HERE<\/a>.<\/p>\n\n\n\n

For Fans Of: Antestor (post-Kongsblod era), Cerimonial Sacred, Crimson Moonlight (early), Marble Tomb, Wolves in the Throne Room, Dark Fortress, Emperor<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

South American unblack metal, as I\u2019ve said before, still continues to be one of the…<\/p>\n","protected":false},"author":24,"featured_media":18063,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1020],"tags":[73],"class_list":["post-18062","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-black-metal"],"yoast_head":"\nReview: Abyssal Forest -\u00a0The Great Day of His Wrath - Heaven's Metal Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/heavensmetalmagazine.com\/index.php\/2026\/05\/19\/review-abyssal-forest-the-great-day-of-his-wrath\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review: Abyssal Forest -\u00a0The 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