{"id":2719,"date":"2019-12-11T01:57:49","date_gmt":"2019-12-11T01:57:49","guid":{"rendered":""},"modified":"2020-11-20T05:14:18","modified_gmt":"2020-11-20T05:14:18","slug":"trytan-sylentiger","status":"publish","type":"post","link":"https:\/\/heavensmetalmagazine.com\/index.php\/2019\/12\/11\/trytan-sylentiger\/","title":{"rendered":"TRYTAN: Sylentiger"},"content":{"rendered":"

After years of lying in obscurity Trytan\u2019s second album Sylentiger<\/span> finally has received a proper remaster and reissue. This album was released in 1990 on R.E.X. Records, however it arrived two years too late to capitalize on the wave that their debut album Celestial Messenger<\/span> created.\u00a0<\/span><\/p>\n

\n

Initially Trytan fell into the category of \u201cthey sound like so and so, or such and such band.\u201d Much like Whitecross or Barren Cross, Trytan had to overcome not just being labeled a \u201cclone\u201d of an immense secular artist. (Granted, at the time the artist they were compared with, Rush, was flirting with rock geriatrics, Presto<\/span>, seriously.) Trytan were a proggy metal band with a vocalist guitar player (Lary Dean) who plays like jazz rock fusion player Alan Holdsworth and yet sounds quite similar to Geddy Lee.\u00a0<\/span><\/p>\n

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Ok who am I kidding; Lary sounded a whole lot like Geddy, period.\u00a0Admittedly this was the draw for me back then, I am an admitted Rush fanatic. Yet when this album was released this style of metal was on the outs in favor of the melodic metal sounds of Los Angeles or blues based rockers from elsewhere. Honestly I ate this up but the music did have distinctly different vibe from the first album.<\/span><\/p>\n

\n

The songs on Sylentiger<\/span> are a bit more straightforward, while there is some musical exploration the vibe is distinctly more head-on. As memory serves Lary had said that people \u201ccomplained we sound too much like Rush\u201d and after this album came out the complaint was that they \u201cdon\u2019t sound the same as the first album.\u201d Go figure.<\/span><\/p>\n

\n

For this reviewer, Sylentiger<\/span> is definitely a more metal album than Celestial Messenger<\/span> but plenty of textures, rhythmic structures and depth of sound exist here to satisfy even the most discriminating music aficionado. The key to any album are the songs themselves and Sylentiger<\/span> has them in spades!!<\/span><\/p>\n

\n

Whether it\u2019s the highly infectious \u201cDeadly Masquerade\u201d with its swirly melody amidst several tempo and time changes, its ear candy of the first order. The title cut itself opens with a bustling keyboard intro that would shake the house with its atmospheric gymnastics as it bows to the driving guitars, bass (provided by Steve Robinson) and drums (delivered by Jim Dobbs).\u00a0 The key here is the melody which demands an immediate replay after.<\/span><\/p>\n

\n

\u201cHere to Stay\u201d and \u201cPlaying With Fire\u201d clocking in at over 6 minutes each have such energy and memorable melodies it\u2019s a wonder that this album had languished in obscurity for so long.\u00a0 Both tracks build up to such hooks that their length is not even an issue. Delivering such musical enjoyment is simply not an every day event.\u00a0Each musical offering highlights the jazz fusion playing of Lary Dean and are a delight to the ears.<\/span><\/p>\n

\n

With creamy textures and swirling ambience \u201cLife Goes On\u201d and \u201cWaking the Giant\u201d provide a more concise avenue of whimsy that deliver on the desire of solid songwriting.\u00a0\u201cWaking the Giant\u201d is such a great track it produces wonderful bits of air drumming on my part (hopefully not while I\u2019m driving).\u00a0The double time of the guitar over the drums gets me every time.<\/span><\/p>\n

\n

The strong accolades aside, there are a few tracks which still don\u2019t quite measure up, album opener \u201cTake Cover\u201d or track three \u201cBeyond the Night\u201d feel slightly anticlimactic.\u00a0And the inclusion of Leslie Philips \u201cBy My Spirit,\u201d while a good song, has always felt a little out of place to me.<\/span><\/p>\n

\n

Those mild criticisms aside, the remaster brings so much more life to this recording.\u00a0Of course the bass is more defined, but I hear drum parts I don\u2019t remember hearing before.\u00a0With an urgency and energy, not to mention clarity, the remastering of Rob Colwell helps to define this lost gem of classic prog metal.<\/span><\/p>\n

\n

If you are willing to go deeper than the initial \u201cthey sound like Rush\u201d you will find a creative work of the highest order.\u00a0Trytan\u2019s Sylentiger<\/span> has not tarnished with age if anything it has resurfaced to take its place amongst the classics of Christian Metal, period. Retroactive is issuing this on vinyl<\/a> (first time ever!!) and a Gold Disc Edition CD<\/a>. I will be grabbing the CD myself.\u00a0A brilliant release.<\/span><\/p>\n

\n

Retroactive Records<\/a><\/span><\/p>\n

\n

\n

\"\"<\/p>\n

\n

\n

\n","protected":false},"excerpt":{"rendered":"

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