{"id":2837,"date":"2019-08-14T04:08:05","date_gmt":"2019-08-14T04:08:05","guid":{"rendered":""},"modified":"2020-12-17T03:35:18","modified_gmt":"2020-12-17T03:35:18","slug":"narnia-from-darkness-to-light","status":"publish","type":"post","link":"https:\/\/heavensmetalmagazine.com\/index.php\/2019\/08\/14\/narnia-from-darkness-to-light\/","title":{"rendered":"NARNIA: From Darkness to Light"},"content":{"rendered":"\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"font_8\">Narnia return with the second album since the return of Christian Liljegren to the vocal helm. The line-up remains essentially intact from their self-titled release a few years ago, but Andreas Passmark (bass) has been replaced by Jonatan Samuelsson. While the Narnia sound remains essentially intact &#8211; melodic power metal with a bit of progression &#8211; some of the songs could be categorized as rock anthems. Still, there is enough crunch, shred and heavy drum punch to keep this offering within the realm of metal. <\/p>\n\n\n\n<p class=\"font_8\">Lyrically, these guys have always been outspoken about Jesus, but there is a definite \u201cpraise\u201d element lyrically this time. One of the most noticeable improvements from the last release is the greater presence of keyboards (Martin Harenstam) in the mix. Furthermore, the songs feel a bit more developed \u2013 featuring a bit more substance and complexity &#8211; with longer durations. It\u2019s early, but these songs reach the quality of the excellent <span style=\"font-style: italic;\">Enter The Gate<\/span> and <span style=\"font-style: italic;\">Course Of A Generation<\/span> \u2013 the two albums which I consider to be at the pinnacle of the band&#8217;s career to date.<\/p>\n\n\n\n<p class=\"font_8\">The album opens with \u201cA Crack In The Sky\u201d which features a great duel keyboard, guitar lead-in, a quick Grimmark solo followed by Christian Liljegren\u2019s patented charismatic vocal exegesis heralding the Lord\u2019s return. The 70\u2019s rock anthem which\u00a0follows \u2013 \u201cYou Are The Air That I Breathe\u201d \u2013 has that classic \u201cfour on the floor\u201d beat with a great melody. The anthemic gang-vocal, quasi-praise chorus is breathtakingly killer!<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong><em><span class=\"has-inline-color has-vivid-cyan-blue-color\">\u201cYou\/You are the air that I breathe\/You are the truth that I seek\/I believe, I believe in You\u201d<\/span><\/em> \u2013 \u201cYou Are The Air That I Breathe\u201d<\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"font_8\">And then there is the \u201cgroovy\u201d Zep-influenced \u201cHas The River Run Dry?\u201d This song is a sobering reminder of the cost to living the Christian faith, but the sincere pleadings and humble outpourings keep it all grounded in the world where we live. One of the longer songs, there are some excellent performances by Grimmark during the middle section, and the subtle, yet noteworthy, synth\/organ sounds permeate this song in glorious 70\u2019s fashion. <\/p>\n\n\n\n<p class=\"font_8\">One of the catchiest, and most uplifting songs both musically and lyrically, is the Celtic-infused power metal romp \u201cThe Armor of God.\u201d This song reflects back nicely on the band origins, yet carefully avoids the clich\u00e9 pitfalls of those 90\u2019s power metal leanings. The chorus here is almost Petra-like (in a good way!). In this era of negativity, this \u201chappy\u201d metal song is so cool. Grimmark delivers a blistering guitar solo which enhances the metal yet doesn\u2019t overwhelm the overriding melody which is king here. The piano echoing the main melody in the outro is a classy touch as well.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"NARNIA - A CRACK IN THE SKY (OFFICIAL MUSIC VIDEO) 2019\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/P-SWNWLMfZQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"font_8\">While most of the music and lyrics have been constructed by Grimmark, newbie Samuelsson is credited with contributing on one of the most powerful songs on the album. \u201cMNFST\u201d is a strong statement both musically and lyrically and could probably best be described as the Narnia \u201ccreed.\u201d This song perfectly encapsulates what these guys stand for spiritually and what they have strived to accomplish over the \u201ccourse of a generation.\u201d It smacks of Bloodgood even\u2026 sola Christus, sola Fide. It\u2019s not about religion and politics, but personal relationship with the Creator.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong><em><span class=\"has-inline-color has-vivid-cyan-blue-color\">\u201cI believe in the holy Father\/Who gave his holy Son\/I believe in the holy Spirit\/who raised Him from the dead\u201d<\/span><\/em> \u2013 \u201cMNFST\u201d<\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"font_8\">I love the \u201cfree-from-label -constraints\u201d approach to songwriting. This is most evident on the dynamic praise rocker \u201cThe War That Tore The Land.\u201d The introduction features an almost \u201cwestern\u201d twangy guitar melody accompanying soft vocal leads and Hammond organ undertones. After a brief heavy introduction to the \u201cHallelujah\u201d chorus, things go quiet once again as we are treated to the ethereal \u201cchildren\u201d praises. Then Johansson\u2019s nearly full measure drum fill leads powerfully back into the final run. This song is a departure for Narnia, but it works well and showcases a different side of their musical expression. Brilliant!<\/p>\n\n\n\n<p class=\"font_8\">Similarly, \u201cSail On\u201d has this care-free approach, only this time with a huge melodic hook \u2013 like melodic AOR meets metal. The melodies on this release, in general, really soar, but I love the driving keyboard sections to this song which give it that slightly commercial (in the 80\u2019s convention) vibe. This second half of the album really continues to impress with \u201cI Will Follow.\u201d Grimmark delivers some lightening quick leads, then steps out of the way to allow the lyrics to take command. Once again, the keyboards drive a significant portion of the melody, trading off nicely with the guitar. This balance between vocals, keys and guitar is omnipresent on these songs and serves to manifest the mature nature\u00a0of the songwriting going on here.<\/p>\n\n\n\n<p class=\"font_8\">The title track consists of a two-part affair \u2013 part I an almost classical composition with melody firmly rooted in the hymn \u201cOnward Christian Soldiers.\u201d The opening instrumental segment transitions into a melodic, acoustic guitar, piano-lead section featuring Christian breathing life into a prayer of thankfulness and hope. Part II features an instrumental run-out featuring Grimmark\u2019s soulful guitar noodling and Harenstam\u2019s piano and keyboard. It\u2019s a beautiful song, although some metal fans might wish this outro was just a bit shorter and heavier. Still, the album ends nicely on a peaceful note.<\/p>\n\n\n\n<p class=\"font_8\">The CD is nicely housed in digipak with 16-page booklet replete with lyrics and illustrations which reflect the over-arching themes of spiritual warfare and praise for the Lord and Savior. Jens Bogren mastered this release, so its plenty loud, but the balance in sound isn\u2019t overly treble-y which can sometimes be a problem on these \u201cloud\u201d masters. <\/p>\n\n\n\n<p class=\"font_8\">Narnia have delivered an album which is dynamically well-balanced, diverse musically, spiritually inspiring lyrically and satisfyingly mature from a songwriting perspective. While they have moved quite far from their neo-classical and power metal origins, they have retained the best qualities from those days and incorporated them into a much more accessible, more melodic \u2013 yet equally enthralling \u2013 form of melodic metal\/rock. And for those missing the old days of no-compromising Christian metal, Narnia remain strong and true in the faith. This is easily one of the best releases I\u2019ve heard this year.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"font_8\"><a href=\"http:\/\/www.narniatheband.com\" target=\"_blank\" rel=\"noopener noreferrer\">Narnia Songs<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"font_8\">Release Date = 8\/2\/2019<\/p>\n\n\n\n<p class=\"font_8\">Track Listing:<\/p>\n\n\n\n<p class=\"font_8\">1. A Crack In The Sky (4:25)<\/p>\n\n\n\n<p class=\"font_8\">2. You Are The Air That I Breathe (4:12)<\/p>\n\n\n\n<p class=\"font_8\">3. Has The River Run Dry (5:10)<\/p>\n\n\n\n<p class=\"font_8\">4. The Armor Of God (4:17)<\/p>\n\n\n\n<p class=\"font_8\">5. MNFST (4:27)<\/p>\n\n\n\n<p class=\"font_8\">6. The War That Tore The Land (4:31)<\/p>\n\n\n\n<p class=\"font_8\">7. Sail On (5:43)<\/p>\n\n\n\n<p class=\"font_8\">8. I Will Follow (4:02)<\/p>\n\n\n\n<p class=\"font_8\">9. From Darkness to Light Part I (5:00)<\/p>\n\n\n\n<p class=\"font_8\">10. From Darkness to Light Part II (3:44)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Narnia return with the second album since the return of Christian Liljegren to the vocal&#8230;<\/p>\n","protected":false},"author":4,"featured_media":527,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1020],"tags":[389,388,319,103],"class_list":["post-2837","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-carl-johann-grimmark","tag-christian-liljegren","tag-melodic-power-metal","tag-narnia-d27"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>NARNIA: From Darkness to Light - Heaven&#039;s Metal Magazine<\/title>\n<meta name=\"description\" content=\"Narnia is Sweden&#039;s Christian melodic\/power metal veteran and From Darkness to Light is the 2019 release 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