{"id":3183,"date":"2018-06-15T05:05:17","date_gmt":"2018-06-15T05:05:17","guid":{"rendered":""},"modified":"2020-11-20T03:15:24","modified_gmt":"2020-11-20T03:15:24","slug":"jerusalem-cant-stop-us-now-legends-remastered","status":"publish","type":"post","link":"https:\/\/heavensmetalmagazine.com\/index.php\/2018\/06\/15\/jerusalem-cant-stop-us-now-legends-remastered\/","title":{"rendered":"JERUSALEM: Can&#39;t Stop us Now (Legends Remastered)"},"content":{"rendered":"<p class=\"font_8\">\n<p class=\"font_8\" style=\"font-size: 16px;\"><span style=\"font-size: 16px;\"><span style=\"font-weight: bold;\">Welcome To The \u2026 80\u2019s?<\/span><\/span><\/p>\n<p class=\"font_8\">Jerusalem\u2019s enigmatic 4th release remains, for some, a question mark on their otherwise impeccable record of inspiring and confrontational rock n\u2019 roll. Fans have a diverse array of opinions on this album \u2013 some absolutely hating this direction for a band that to this point lived and breathed 70\u2019s classic and progressive rock, and others lauding the change in musical landscape as cutting-edge contemporary. Regardless of where you fall on that spectrum, there was and is no denying that Jerusalem was a band that could not be pigeon-holed into a nice comfortable genre \u2013 they were doing their own thing, keeping pace with the times and following the calling of the Spirit. The only band member change this time was the drummer change with Mikael Ulvsgard taking over for Klas Anderhell. The decidedly more pop approach was a common stylistic change during the early 80\u2019s for many bands, and Jerusalem was no exception to the norm in this regard. They did, however, stamp their own quirky brand on the 80\u2019s music vibe, and in that regard spared themselves from extinction.<\/p>\n<p class=\"font_8\">\n<p class=\"font_8\">\u00a0<span style=\"font-style: italic;\">Can\u2019t Stop Us Now<\/span> isn\u2019t the most intense or original composition from Ulf and company, but it\u2019s not nearly as forgettable as some might try to argue. <a href=\"http:\/\/www.boonesoverstock.com\" target=\"_blank\" rel=\"noopener noreferrer\">Retroactive Records<\/a>, as part of the <span style=\"font-style: italic;\">Legends Remastered<\/span> series, has delivered the entire recording (plus 2 bonus tracks) on CD in English for the first time. The Fruit Records (\u201890\u2019s) version deleted the last 3 tracks, which is a shame, because the second half of this album, beginning with \u201cMourner\u2019s Parade,\u201d represents the most innovative and experimental portion of this record. We are once again treated to a 12 page booklet with lyrics in a clear jewel case. Really love the alternate pictures on front and back cover of the booklet. Yeah, those poses are cheesy, but come on, this was the 80\u2019s after all. Remember, this album was produced by Andy Kidd (produced <a href=\"http:\/\/dougvanpelt.wixsite.com\/heavens-metal-mag\/single-post\/2018\/06\/13\/JERUSALEM---Warrior-Legends-Remastered\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-style: italic;\">Warrior<\/span><\/a>) so it can\u2019t all be bad. I will say, though, that the sonic impact on this remaster seems a bit more muted compared to the first 3 remasters in this series, and I don\u2019t hear that walloping bass vibration so evident (and enjoyable) on those records. You would think an overproduced 80\u2019s recording would sound a bit more obnoxious (especially for dance) than this sounds. The drums just seem a bit too far back in the mix for an album trying to ratchet up the pop. Still, I like this version\u2026<\/p>\n<p class=\"font_8\">\n<p class=\"font_8\">The title track covered familiar ground, the classic rock vibe with plenty of pace and a catchy chorus. In some ways this song \u2013 with the big arena rock vocals &#8211; was the template for the much heavier rock crunch that would boil to perfection on 1987\u2019s <span style=\"font-style: italic;\">Dancing On The Head Of The Serpent<\/span>. \u201cLove You More\u201d followed pace with a clean musical flow and the encouraging words with great melodies. I think \u201cThe Wind Is Blowing\u201d slowed things down a bit too much 3 songs in, but I do like this lyric \u2013 \u201cI\u2019m on my way now, can\u2019t stop me now\u201d \u2013 which ties in nicely with the title track. But by now many fans were scratching their heads as to where the prog (so pervasive on <span style=\"font-style: italic;\">Warrior<\/span>) had gone. \u201cTomorrow\u2019s World\u201d almost has a mid-80\u2019s Rush meets Cheap Trick quality and represents the most progressive song on the album. I love the bass guitar vibe and the synth\/keyboard sounds Tibell painted this song with in the middle section. The vocal effects on Ulf\u2019s voice here (and on many of the songs on this album) suppress too much of his power and passion. Similarly, \u201cThe Waiting\u201d is a really good song, but the vocals seem almost muted in the mix.<\/p>\n<p class=\"font_8\">\n<p class=\"font_8\">I wonder how many of us cringed when we first heard \u201cLet\u2019s Go (\u201cDancin\u2019)? I am all for solid pop music with a beat, but this song just didn\u2019t work for me. I appreciate what they were trying to do here, pushing the fringe and moving beyond the comfort level, but well \u2026 the great thing about Jerusalem is that they never took themselves too seriously, and who can fault them for dancing with joy! Fortunately, this is followed by two of the strongest songs on the record in \u201cMourner\u2019s Parade\u201d and \u201cRead Between The Lines.\u201d The former song has some of the most poignant lyrics backed by a much more subdued singing style \u2013 kind of sounds like David Bowie. It\u2019s a dark song, but maybe the best song on this album.<\/p>\n<p class=\"font_8\">\n<p class=\"font_8\" style=\"margin-left: 40px;\"><span style=\"color: #666666;\"><span style=\"font-style: italic;\">\u201cBeing afraid is a habit, very few of us break\/You\u2019ll only find out you\u2019re a prisoner when you try to escape.\u201d \u2026 \u201cJoin in the mourner\u2019s parade\/It\u2019s a deaf and dumb cavalcade\/All feelings kept well undercover\/Indifference to one another.\u201d <\/span>\u2013 \u201cMourner\u2019s Parade\u201d<\/span><\/p>\n<p class=\"font_8\">\n<p class=\"font_8\">The guitar solo shreds and there are some nice drumming nuances that hearken back to the kind of playing we loved on <span style=\"font-style: italic;\">Warrior<\/span>. \u201cRead Between the Lines\u201d is similarly engaging on both a lyrical an musical level, just a bit more subtle and atmospheric. \u201cThe Missing Piece\u201d has a decidedly melancholy vocal approach, again almost Bowie-like. Finally, \u201cHeartbeat\u201d is another experimental song that has a solid 4 or the floor thump with great guitar and synth sounds \u2013 very atmospheric.<\/p>\n<p class=\"font_8\">\n<p class=\"font_8\">The bonus tracks include \u201cTime\u201d \u2013 a very solid tune from the Front Row Compilation with a great guitar riff and soaring vocal melodies \u2013 and an alternate mix to \u201cHeartbeat\u201d with a more intricate\/prolonged vocal sequence. Overall, I think this remaster is a success on many levels. This album can now be heard in its entirety, and the invitation for a \u201csecond listen\u201d has been issued. The packaging and artwork is first rate, and the bonus tracks definitely enhance the value.<\/p>\n<p class=\"font_8\">\n<p class=\"font_8\"><a href=\"http:\/\/www.boonesoverstock.com\" target=\"_blank\" rel=\"noopener noreferrer\">Retroactive Records<\/a><\/p>\n<p class=\"font_8\">\n<p class=\"font_8\"><a href=\"https:\/\/boonesoverstock.com\/products\/jerusalem-cant-stop-us-now-legends-remastered-new-cd-2018-retroactive-records-pre-order\" target=\"_blank\" rel=\"noopener noreferrer\">Release Date: 6\/7\/2018<\/a><\/p>\n<p class=\"font_8\">\n<p class=\"font_8\">Track Listing:<\/p>\n<p class=\"font_8\">\n<p class=\"font_8\">1. Can\u2019t Stop Us Now (4:02)<\/p>\n<p class=\"font_8\">2. Love You More (3:58)<\/p>\n<p class=\"font_8\">3. The Wind Is Blowing (4:24)<\/p>\n<p class=\"font_8\">4. Tomorrow\u2019s World (5:34)<\/p>\n<p class=\"font_8\">5. The Waiting (4:33)<\/p>\n<p class=\"font_8\">6. Let\u2019s Go (Dancin\u2019) (3:41)<\/p>\n<p class=\"font_8\">7. Mourner\u2019s Parade (4:35)<\/p>\n<p class=\"font_8\">8. Read Between The Lines (4:08)<\/p>\n<p class=\"font_8\">9. The Missing Piece (3:43)<\/p>\n<p class=\"font_8\">10. Heartbeat (3:15)<\/p>\n<p class=\"font_8\"><span style=\"font-weight: bold;\">Bonus<\/span><\/p>\n<p class=\"font_8\">12. Time (5:50)<\/p>\n<p class=\"font_8\">13. Heartbeat (Light Remix) (3:15)<\/p>\n<p class=\"font_8\">\n<p class=\"font_8\">\n<p class=\"font_8\">\n<p class=\"font_8\">\n","protected":false},"excerpt":{"rendered":"<p>Welcome To The \u2026 80\u2019s? Jerusalem\u2019s enigmatic 4th release remains, for some, a question mark&#8230;<\/p>\n","protected":false},"author":4,"featured_media":1334,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1020],"tags":[1056,92,182,724],"class_list":["post-3183","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-80s-rock","tag-jerusalem-d12","tag-retroactive-records","tag-ulf-christiansson"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>JERUSALEM: Can&#039;t Stop us Now (Legends Remastered) - Heaven&#039;s Metal Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/heavensmetalmagazine.com\/index.php\/2018\/06\/15\/jerusalem-cant-stop-us-now-legends-remastered\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"JERUSALEM: Can&#039;t Stop us Now (Legends Remastered) - Heaven&#039;s Metal Magazine\" \/>\n<meta property=\"og:description\" content=\"Welcome To The \u2026 80\u2019s? 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