{"id":3326,"date":"2018-02-07T19:13:01","date_gmt":"2018-02-07T19:13:01","guid":{"rendered":""},"modified":"2020-11-20T04:31:33","modified_gmt":"2020-11-20T04:31:33","slug":"orphaned-land-unsung-prophets-dead-messiahs","status":"publish","type":"post","link":"https:\/\/heavensmetalmagazine.com\/index.php\/2018\/02\/07\/orphaned-land-unsung-prophets-dead-messiahs\/","title":{"rendered":"ORPHANED LAND: Unsung Prophets &amp; Dead Messiahs"},"content":{"rendered":"<p class=\"font_8\" style=\"line-height: 1.5em; font-size: 15px;\"><span style=\"font-size: 15px;\"><span style=\"font-weight: bold;\">Don&#8217;t Be Afraid of the Light<\/span><\/span><\/p>\n<p class=\"font_8\" style=\"line-height: 1.5em; font-size: 15px;\"><span style=\"font-size: 15px;\">The originators of Oriental\/Eastern Metal return \u2013 only their sixth full-length release in just over two and a half decades \u2013 with an incredibly strong musical and political\/spiritual statement. Despite the recent departure of Yossi Sassi (seemingly irreplaceable) and Matti Svatizky on guitars, original members Kobi (vocals) and Uri (bass) have pressed on with drummer Matan Shmuely to breathe continued life into the enigmatic phenomenon that is Orphaned Land. Fear not, two new guitarists have stepped in to fill the void left by the departure of Sassi and Svatizky. And while Sassi will always be missed (he has moved on to pursue a solo career) \u2013 his distinctive style and creativity unmatched \u2013 the new guys hold their own. The music here, then, is a nice mix of the more melodic leanings of 2013\u2019s <span style=\"font-style: italic;\">All Is One<\/span> with the densely instrumental, progressive masterpiece of <span style=\"font-style: italic;\">The Never Ending Way of ORwarriOR<\/span> (2010). In lock-step with the intense nature of the socio-political lyrical outpourings this time around, Kobi chose to reincorporate some of the death metal vocal growls (characteristic of the majority of the band\u2019s back catalogue) this time around, but he did so in a way that is perfectly commensurate with the nature of the music. It is fair to say, though, that the melodic vocals still predominate, and even the harsh vocals here are extremely discernable. While <span style=\"font-style: italic;\">U.P.A.D.M.<\/span> doesn\u2019t offer up quite the musical diversity of <span style=\"font-style: italic;\">The Never Ending Way\u2026<\/span>, I think there is much more here to enjoy and rejoice in when compared to <span style=\"font-style: italic;\">All Is One<\/span> \u2013 a collection of songs, brilliant in their own right, which were nevertheless crafted to be more accessible.<\/p>\n<p>The\u00a0subject matter here has been well-broadcasted by pre-release information and hype so I won\u2019t say much other than to say that it is entirely consistent with what Orphaned Land have been about since the early days. I have been following this band since the mid 90\u2019s and they have always transcended the ordinary themes of heavier music and metal in general \u2013 their humanitarian efforts and love for mankind pre-eminent. And they have never swerved from intricately infusing the cultural, ethnic and spiritual elements of their being into the music. And while the message of <span style=\"font-style: italic;\">All Is One <\/span>was clear, I think they have definitely taken things one step farther on this release. Inspired by Plato, few bands have more perfectly depicted the state and problem with mankind than OP have done here. And while many have cried out about the abuses of power, media, religion with angst, OP are gifted in how they balance the anger against the world order and the nature of man\u2019s sin with the love for their brother in offering hope in reconciliation.<\/p>\n<p>Musically, I do like how the band has tapped into their history and crafted more complex and intriguing compositions this time around. I have always felt these guys made great songs, but that they may have simplified things just a bit too much on All Is One. They have incorporated a few guests this time around as well with Steve Hackett (\u201cChains Fall To Gravity\u201d is definitely one of the highlight tracks here in its lyrical and musical beauty), Hansi Kursch (\u201cLike Orpheus\u201d) and Tomas Lindberg on the heaviest track appropriately named \u201cOnly The Dead Have Seen The End Of War.\u201d Really there is so much quality here to digest that it is impossible to pick favorite tracks, but I think the opening track \u201cThe Cave\u201d perfectly encompasses both the concept and the musical brilliance of Orphaned Land that it is hard to not keep hitting the repeat button for this song alone. I love, in keeping with the \u201cmedia mind-control\u201d theme, how certain sections of the lyrics have been both blotted out in the lyric book and censored in the music with a \u201cbeep.\u201d But in addition to the opening track, \u201cWe Do Not Resist,\u201d \u201cIn Propaganda,\u201d \u201cChains Fall To Gravity,\u201d and \u201cTake My Hand\u201d are brilliant.<\/p>\n<p>I think of Orphaned Land as one of the top 5 progressive metal bands currently active. They easily have one of the most distinctive and original sounds and approaches out there right now \u2013 really only Myrath compare, but they are not as innovative or lyrically profound in my opinion \u2013 and they never fail to deliver an entrancing and provocative soundscape with each release. The sound quality, the production and the design elements to the booklet\/presentation are first-rate (as has really been this band\u2019s MO since 2004\u2019s <span style=\"font-style: italic;\">Mabool<\/span>) so no fan should hesitate to pick this up.<\/span><\/p>\n<p class=\"font_8\" style=\"line-height: 1.5em; font-size: 15px;\">\n<p class=\"font_8\" style=\"line-height: 1.5em; font-size: 15px;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.centurymedia.com\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-size: 15px;\">www.centurymedia.com<\/span><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Don&#8217;t Be Afraid of the Light The originators of Oriental\/Eastern Metal return \u2013 only their&#8230;<\/p>\n","protected":false},"author":4,"featured_media":1615,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1020],"tags":[38,418,849,851,850,848,846,279,852,847],"class_list":["post-3326","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-death-metal","tag-folk-metal","tag-israel-d57","tag-myrath-d57","tag-nobel-peace-price","tag-oriental-metal","tag-orphaned-land","tag-progressive-metal","tag-salem-d5","tag-yossi-sassi-band"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ORPHANED LAND: Unsung Prophets &amp; Dead Messiahs - Heaven&#039;s Metal Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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