{"id":3588,"date":"2016-11-20T17:38:36","date_gmt":"2016-11-20T17:38:36","guid":{"rendered":""},"modified":"2020-11-21T03:08:38","modified_gmt":"2020-11-21T03:08:38","slug":"scandroid-scandroid","status":"publish","type":"post","link":"https:\/\/heavensmetalmagazine.com\/index.php\/2016\/11\/20\/scandroid-scandroid\/","title":{"rendered":"SCANDROID: Scandroid"},"content":{"rendered":"<p class=\"align-center font_8\">\n<p class=\"font_8\" style=\"font-size: 14px; line-height: 1.5em;\"><span style=\"font-size: 14px;\"><span style=\"line-height: 1.5em;\">2016 has been an exceptionally busy\/productive year for Klayton. Not only has he meticulously re-issued\/remastered the entire <span style=\"font-weight: bold;\">Circle of Dust<\/span> back catalog along with <span style=\"text-decoration: underline;\"><a href=\"http:\/\/amzn.to\/2iEWoT8\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-style: italic;\">Misguided<\/span><\/a><\/span> by <span style=\"font-weight: bold;\">Argyle Park<\/span> \u2014 each release replete with tons of bonus and high-quality demo material and new artwork \u2013 he is now issuing two full albums of all new material. Circle of Dust \u2013 <span style=\"text-decoration: underline;\"><a href=\"http:\/\/amzn.to\/2j5MqsZ\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-style: italic;\">Machines of our Disgrace<\/span><\/a><\/span> will be released in December.<\/span><\/span><\/p>\n<p class=\"font_8\" style=\"font-size: 14px; line-height: 1.5em;\">\n<p class=\"font_8\" style=\"font-size: 14px; line-height: 1.5em;\"><span style=\"font-size: 14px;\"><span style=\"line-height: 1.5em;\">In the meantime, he has delivered the self-titled debut from his newest electronic musical endeavor. <span style=\"text-decoration: underline;\"><a href=\"http:\/\/amzn.to\/2iJhe6j\" target=\"_blank\" rel=\"noopener noreferrer\">Scandroid<\/a><\/span> is best categorized as Synthwave\/80\u2019s New Wave cyberpunk\/rock with the sci-fi concept of humanoid robots struggling to find their identity in a future (2517) where the humans are torn between those embracing the new lifeforms (pro-bots) and those rejecting them (robophobes).<\/span><\/span><\/p>\n<p class=\"font_8\" style=\"font-size: 14px; line-height: 1.5em;\">\n<p class=\"font_8\" style=\"font-size: 14px; line-height: 1.5em;\"><span style=\"font-size: 14px;\"><span style=\"line-height: 1.5em;\">Heavily influenced by Vangelis, Tangerine Dream and the like, the sounds here have one foot firmly planted in the movie soundscapes (Tron, Blade Runner) and pop radio airwaves (Tears for Fears, Duran Duran, Depeche Mode, Spandau Ballet, etc.) of the 80\u2019s yet draw upon the catchy melodies and innovative song-writing which has made Klayton\u2019s world of <span style=\"font-weight: bold;\">Celldweller<\/span> so addictive and entrancing over the course of the past decade. The 67 minute journey evokes memories of past (especially for those of us who grew up in the 80\u2019s as there are tons of familiar keyboard\/synth sounds, electronic drum and effects here) while continuing to explore the present and future world issues of robotics and transhumanism.<\/span><\/span><\/p>\n<p class=\"font_8\" style=\"font-size: 14px; line-height: 1.5em;\"><span style=\"font-size: 14px;\"><span style=\"line-height: 1.5em;\">As with all things Klayton, there is a mix of melodic, lyric-driven songs (9), instrumental numbers (4) and one cover song (\u201cShout\u201d \u2013 Tears for Fears). Lyrically, I can\u2019t help but notice the Genesis\/Biblical references. \u201cAtom,\u201d the main character, grows into &#8220;awareness&#8221; and becomes the prototype\/leader of his kind \u2026 and because the \u201cSalvation Code\u201d reveals that it is not good for \u201cmachine\u201d to be alone, he collaborates (\u201cAphelion\u201d\/\u201dConnection\u201d) with\/\u201dfalls in love\u201d with his cybermate \u201cE.E.V.\u201d Together they survive robot extinction in the \u201cEmpty Streets\u201d of \u201cNeo-Tokyo\u201d to ultimately reach the underground city of \u201cEden,\u201d the electronic \u201cparadise\u201d of forever where they will fulfill their destiny \u2013 \u201cSingularity.\u201d <\/span><\/span><\/p>\n<p class=\"font_8\" style=\"font-size: 14px; line-height: 1.5em;\">\n<p class=\"font_8\" style=\"font-size: 14px; line-height: 1.5em;\"><span style=\"font-size: 14px;\"><span style=\"line-height: 1.5em;\">Musically, these retro-80\u2019s synthesizer sounds are so iconic that you would swear you were listening to music from three decades prior. Not only this, but there is a plethora of diversity, the various permutations of New Wave well represented. Roland TR-909 and other electronic drum sounds from the 80&#8217;s equally succeed in transporting the listener to a time when these percussion elements drove the beat of pop radio. Not surprisingly, Klayton does an excellent job of simulating the vocal styles of the era. Just listen to the cover of Tears for Fears \u201cShout\u201d and tell me this doesn\u2019t sound like the original, and the low\/high transitions in the trance-like \u201cAphelion\u201d similarly inspire awe. <\/span><\/span><\/p>\n<p class=\"font_8\" style=\"font-size: 14px; line-height: 1.5em;\">\n<p class=\"font_8\" style=\"font-size: 14px; line-height: 1.5em;\"><span style=\"font-size: 14px;\"><span style=\"line-height: 1.5em;\">Additionally, synth-vox effects on songs like \u201cSalvation Code\u201d and \u201cAwakening With You\u201d are iconic as well. The quirky (\u201cWhip It\u201d- Devo like) \u201cConnection\u201d stands well alongside the punkish \u201cEmpty Streets,\u201d one of the best songs here in my opinion. It would have been nice to have more fast paced rockers like this here, but maybe next time around. The only song I had previously heard was \u201cPro-bots and Robophobes\u201d which is one of the heaviest songs in the series \u2014 sounds like the music of <span style=\"font-style: italic;\">Terminator<\/span> meets Circle of Dust.<\/span><\/span><span style=\"font-size: 14px;\"><span style=\"line-height: 1.5em;\"> Lyrically, along with its predecessor \u201cNeo-Tokyo,\u201d this song chronicles much of the action\/story in this futurescape.<\/span><\/span><\/p>\n<p class=\"font_8\" style=\"font-size: 14px; line-height: 1.5em;\">\n<p class=\"font_8\" style=\"font-size: 14px; line-height: 1.5em;\"><span style=\"font-size: 14px;\"><span style=\"line-height: 1.5em;\">Of the instrumental tracks, the opening \u201cnarration\u201d is perhaps a bit drawn out but hauntingly draws the listener into the saga while simultaneously setting the \u201cmusical backdrop.\u201d \u201cDestination Unknown\u201d is one of those driving songs \u2026 you know, the kind where you roll down the window, crank up it up to \u201c11,\u201d and mash the pedal while simultaneously allowing your imagination and senses to take control over reason. The sultry \u201cAtom &amp; E.E.V\u201d is similarly engaging on the sensual level. It serves nicely as an interlude to the main feature, not unlike those obligatory romantic (I didn\u2019t say sex) scenes from 80\u2019s movies. Yes, it\u2019s a bit clich\u00e9, but it works in the context of what Klayton is trying to create\/emulate here. \u201cSingularity\u201d is the very Vangelis-like, cinematic epilogue to this first installment of Scandroid which, in captivating fashion, sets the stage for the next chapter\u2026<\/span><\/span>\n<\/p>\n<p class=\"font_8\" style=\"line-height: 1.5em; font-size: 14px;\"><span style=\"font-size: 14px;\"><span style=\"line-height: 1.5em;\">Scandroid represents a wonderful meeting of \u201cold world\u201d and \u201cnew world\u201d both thematically and stylistically \u2013 one no less memorable (although certainly less \u201cheavy\u201d) than the early 90\u2019s debut of Circle of Dust or the early 2000\u2019s debut of Celldweller. Once again, Klayton has more than succeeded in introducing us to a new \u201cfaction\u201d in his ever-growing stable of authentic, scintillating and provocative electronic music. [FiXT]<\/span><\/span><\/p>\n<p class=\"align-center font_8\"><img decoding=\"async\" src=\"https:\/\/heavensmetalmagazine.com\/wp-content\/uploads\/2020\/11\/d7ac5b_d5fa6b296e2149d6a3aa24292af1da81-mv2_d_1231_1786_s_2-2.jpg\" alt=\"\" width=\"375.6\" height=\"545.0436090225564\" \/><\/p>\n<p class=\"font_8\">\n<p class=\"font_8\">\n","protected":false},"excerpt":{"rendered":"<p>2016 has been an exceptionally busy\/productive year for Klayton. Not only has he meticulously re-issued\/remastered&#8230;<\/p>\n","protected":false},"author":4,"featured_media":2218,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1020],"tags":[657,654,894],"class_list":["post-3588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-celldweller-d64","tag-circle-of-dust","tag-scandroid-d6"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>SCANDROID: Scandroid - Heaven&#039;s Metal Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/heavensmetalmagazine.com\/index.php\/2016\/11\/20\/scandroid-scandroid\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SCANDROID: Scandroid - Heaven&#039;s Metal Magazine\" \/>\n<meta property=\"og:description\" content=\"2016 has been an exceptionally busy\/productive year for Klayton. Not only has he meticulously re-issued\/remastered...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/heavensmetalmagazine.com\/index.php\/2016\/11\/20\/scandroid-scandroid\/\" \/>\n<meta property=\"og:site_name\" content=\"Heaven&#039;s Metal Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/HeavensMetal\" \/>\n<meta property=\"article:published_time\" content=\"2016-11-20T17:38:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-11-21T03:08:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/heavensmetalmagazine.com\/wp-content\/uploads\/2020\/11\/d7ac5b_e21427a7bd0c417aa632aefd9502ec50-mv2_d_2953_2819_s_4_2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"150\" \/>\n\t<meta property=\"og:image:height\" content=\"150\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jonathan Swank\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jonathan Swank\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/heavensmetalmagazine.com\\\/index.php\\\/2016\\\/11\\\/20\\\/scandroid-scandroid\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/heavensmetalmagazine.com\\\/index.php\\\/2016\\\/11\\\/20\\\/scandroid-scandroid\\\/\"},\"author\":{\"name\":\"Jonathan Swank\",\"@id\":\"https:\\\/\\\/heavensmetalmagazine.com\\\/#\\\/schema\\\/person\\\/fc646813e906a54cb088aa02451bc846\"},\"headline\":\"SCANDROID: Scandroid\",\"datePublished\":\"2016-11-20T17:38:36+00:00\",\"dateModified\":\"2020-11-21T03:08:38+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/heavensmetalmagazine.com\\\/index.php\\\/2016\\\/11\\\/20\\\/scandroid-scandroid\\\/\"},\"wordCount\":788,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/heavensmetalmagazine.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/heavensmetalmagazine.com\\\/index.php\\\/2016\\\/11\\\/20\\\/scandroid-scandroid\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/heavensmetalmagazine.com\\\/wp-content\\\/uploads\\\/2020\\\/11\\\/d7ac5b_e21427a7bd0c417aa632aefd9502ec50-mv2_d_2953_2819_s_4_2.jpg\",\"keywords\":[\"Celldweller\",\"Circle of Dust\",\"Scandroid\"],\"articleSection\":[\"Review\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/heavensmetalmagazine.com\\\/index.php\\\/2016\\\/11\\\/20\\\/scandroid-scandroid\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/heavensmetalmagazine.com\\\/index.php\\\/2016\\\/11\\\/20\\\/scandroid-scandroid\\\/\",\"url\":\"https:\\\/\\\/heavensmetalmagazine.com\\\/index.php\\\/2016\\\/11\\\/20\\\/scandroid-scandroid\\\/\",\"name\":\"SCANDROID: Scandroid - 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