{"id":3631,"date":"2016-10-29T00:41:00","date_gmt":"2016-10-29T00:41:00","guid":{"rendered":""},"modified":"2023-11-30T18:30:21","modified_gmt":"2023-11-30T23:30:21","slug":"theocracy-ghost-ship","status":"publish","type":"post","link":"https:\/\/heavensmetalmagazine.com\/index.php\/2016\/10\/29\/theocracy-ghost-ship\/","title":{"rendered":"THEOCRACY: Ghost Ship"},"content":{"rendered":"\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<p class=\"MsoNoSpacing\">\u00a0<\/p>\n<p><!-- \/wp:post-content --><!-- wp:paragraph {\"fontSize\":\"medium\"} --><\/p>\n<p><strong>It is hard to describe in words what the music of Theocracy has meant to me (and many others I\u2019m sure) over the past 13 years. Furthermore, it is hard to imagine that <a href=\"https:\/\/ulteriumstore.com\/collections\/cds\/products\/theocracy-ghost-ship-cd-edition\" target=\"_blank\" rel=\"noopener\"><em>Ghost Ship <\/em><\/a>is only the 4th release from this band in as many years. Quality over quantity \u2013 Theocracy has never delivered a bad song. Starting as a one man act in 2003 (Matt Smith) they grew to a full 5-piece with the release of 2011\u2019s <a href=\"https:\/\/ulteriumstore.com\/collections\/cds\/products\/theocracy-as-the-world-bleeds-cd-edition\" target=\"_blank\" rel=\"noopener\"><em>As The World Bleeds<\/em><\/a>. Unfortunately, drummer Shawn Benson is not officially with the band at this time, although his drum performance on this album stands as a testimony to his tremendous contribution and talent as he mixes power metal\/classic metal and even some thrash metal beats into the mix. Val Wood returns, with Hinds and Oldham (bass), Wood\u2019s contributions on lead once again noteworthy.<\/strong><\/p>\n<p>\u00a0<\/p>\n<p>Matt Smith confessed years ago that soloing is not his forte \u2013 he is a songwriter (one of the best in metal, IMO) and not a lead guitarist. You would never know that, of course, listening to his performance on the debut album. Still, there is no doubt that first, Jonathan Hinds (on <a href=\"https:\/\/ulteriumstore.com\/collections\/cds\/products\/theocracy-mirror-of-souls-cd-edition\" target=\"_blank\" rel=\"noopener\"><em>Mirror of Souls<\/em><\/a>), and Val Allen Wood (on <em>As the World Bleeds<\/em>) ramped up the quality of lead guitar riffing and soloing to a whole new level for this band. Taking it to an even higher level here, the end result is a record that feels more cohesive and powerful \u2014 definitely their most consistently heavy and direct release to date. And man, do these songs bleed metal!<\/p>\n<p>\u00a0<\/p>\n<p>Where past albums have had the \u201cprog-power\u201d\/Euro-metal approach, <em>Ghost Ship <\/em>is firmly rooted in classic metal\/melodic metal. Yes, the pace is definitely there, but this is an album that fans of classic Iron Maiden\/Judas Priest\/Scorpions\/80\u2019s heavy metal are going to devour \u2014 one that is immediately appealing (because of the crunch and the catchiness), yet one which also becomes more enjoyable with repeated spins. Well produced and mixed, this album follows in the footsteps of <em>As The World Bleeds<\/em>, but also taps into an aggressiveness we\u2019ve yet to encounter with Theocracy.<\/p>\n<p>\u00a0<\/p>\n<p>What sets this album apart from what has gone before? The debut album was heavy on instrumental interludes that were long and brilliantly indulgent interspersed with very infective vocal choruses and melodies.<em> Mirror of Souls <\/em>did heavy things up a bit, but definitely leaned toward the \u201cprog\u201d side of \u201cprog-power.\u201d 2011\u2019s <em>As The World Bleeds <\/em>was even better, but leaned more toward the \u201cpower\u201d side of \u201cprog-power,\u201d yet retained some open, balladic sections, choral elements and lots of keys. Plain and simple, <em>Ghost Ship <\/em>plows straight down the middle into classic metal waters (lots of Maiden influence) while simultaneously maintaining the strong melodic flavors which are a trademark for this band.<\/p>\n<p>\u00a0<\/p>\n<p>Most of the songs are in the 4-5 minute range (only 2 songs exceed the 6 minute mark), with greater emphasis on concise, head-banging riffs, short (but sweet) guitar solos and almost absent prog influences. All of the songs are heavy. Even \u201cAround the World and Back\u201d \u2014 the most \u201cballad\u201d type song here \u2014 rocks out with conviction. Smith even sounds a bit like Michael Sweet on this one (not a bad thing.) In that regard, his vocals are very strong throughout \u2013 I think he actually outdoes his previous efforts in this regard. Perhaps having some band mates to deliver the instrumental goods has freed him up a bit to focus on his vocal phrasing and presentation.<\/p>\n<p>\u00a0<\/p>\n<p>Every song here is great, but there are a few that stand above the others. \u201cThe Wonder of It All\u201d reminds me, at least in terms of its scope and content, of \u201cI Am\u201d \u2014 one of the best songs from the last album \u2014 only much heavier and more condensed. This song just smokes and features everything that makes Theocracy so amazing \u2014 blistering leads, catchy rhythms and inspiring\/truth-infused lyrics. \u201cPaper Tiger\u201d is the perfect album opener. Remember how Maiden always had that perfect opening track? Not only are the dual guitar attacks so perfectly executed, but lyrically, this song speaks so honestly to the state of our country at this point in time.<\/p>\n<p>\u00a0<\/p>\n<p>\u201cA Call to Arms\u201d is a perfect metal anthem \u2014 plenty of crunch, plenty of fire \u2014 calling us to purity in thoughts and deed. And then there is \u201cEaster,\u201d which is the most \u201cprogressive\u201d song here (very cinematic) and the one which most vehemently proclaims Theocracy\u2019s core inspiration and faith. Clocking in just shy of 10 minutes, this song will appeal to fans of early epic works like \u201cThe Serpent\u2019s Kiss,\u201d \u201cThe Healing Hand\u201d and \u201cMirror of Souls.\u201d On the other hand, those looking for long, progressive songs with lots of open breaks, keyboards and choral type sections may be disappointed by the more blunt approach of <em>Ghost Ship<\/em>.<\/p>\n<p>\u00a0<\/p>\n<p>Matt Smith is a gifted singer, lyricist and songwriter \u2013 his words speak truth, but they don\u2019t preach, they don\u2019t judge &#8230; and his music is credible, arguably some of the best in the genre (the man is a perfectionist). He has surrounded himself with similarly gifted musicians who are able to translate his visions into something audibly impactful. I challenge anyone to listen to this music and not be moved (musically and lyrically), and to not be motivated to re-evaluate your calling\/your purpose\/your plan, maybe even to reconcile differences with friends, family and the like.<\/p>\n<p>\u00a0<\/p>\n<p>I\u2019ve listened to a lot of music this year (both secular and Christian) and <em>Ghost Ship<\/em> will easily make it to the top of my list. Why? These guys are talented artists, dedicated to metal and everything it represents, putting forth one of the most brutally honest and insightful, yet equally well-crafted (it\u2019s the balance between content and execution that makes this band so great) collections of heavy metal I\u2019ve heard in many years. \u201cWorship at 11+!\u201d<\/p>\n<p>\u00a0<\/p>\n<p>LP<br \/><em>The vinyl version (double LP) is limited to 1001 copies and it comes in either black or white. I have the white version and can say I love this record. The sound is warm and rich, with plenty of bass and very clean. My records were flat with no warping and are housed in double gate-fold packaging with non-static sleeves. The album cover is stunning and the lyrics are very legibly printed on the inside covers. It\u2019s not the thickest quality cardboard, but the glossy sheen in a nice touch. The sound quality is superb, even though this isn\u2019t \u201caudiophile\u201d quality vinyl.<\/em><\/p>\n<p><a href=\"http:\/\/www.ulterium-records.com\" target=\"_blank\" rel=\"noopener\">Ulterium Records<\/a><\/p>\n<p>\u00a0<\/p>\n<p class=\"MsoNoSpacing\">\u00a0<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph {\"fontSize\":\"medium\"} --><\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph {\"fontSize\":\"medium\"} --><\/p>\n<p class=\"MsoNoSpacing\">\u00a0<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph {\"fontSize\":\"medium\"} --><\/p>\n<p class=\"MsoNoSpacing\">\u00a0<\/p>\n<p class=\"MsoNoSpacing\">\u00a0<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p class=\"MsoNoSpacing\">\u00a0<\/p>\n<p class=\"MsoNoSpacing\">\u00a0<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p class=\"MsoNoSpacing\">\u00a0<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p class=\"MsoNoSpacing\"><span style=\"font-size: 12.0pt; font-family: 'Book Antiqua',serif;\">\u00a0<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>\u00a0 It is hard to describe in words what the music of Theocracy has meant&#8230;<\/p>\n","protected":false},"author":4,"featured_media":2245,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1020],"tags":[987,409],"class_list":["post-3631","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-ghost-ship","tag-theocracy-d17"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>THEOCRACY: Ghost Ship - Heaven&#039;s Metal Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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