{"id":6297,"date":"2021-03-26T00:00:53","date_gmt":"2021-03-26T00:00:53","guid":{"rendered":"https:\/\/heavensmetalmagazine.com\/?p=6297"},"modified":"2021-03-26T10:39:35","modified_gmt":"2021-03-26T10:39:35","slug":"my-silent-wake-damnum-per-saeculorum","status":"publish","type":"post","link":"https:\/\/heavensmetalmagazine.com\/index.php\/2021\/03\/26\/my-silent-wake-damnum-per-saeculorum\/","title":{"rendered":"MY SILENT WAKE: Damnum per Saeculorum"},"content":{"rendered":"\n

Doom metallers My Silent Wake are back with their 11th<\/sup> album overall, and their 4th in the acoustic\/ambient\/experimental series.\u00a0 The band has taken to experimenting with their sound rather frequently and on Damnum per Saeculorum<\/em>, the experiments lead to astounding results.\u00a0 The collection of songs was written and recorded in various sessions across 2019-20, but still sounds delightfully cohesive.\u00a0 Marking their 15th<\/sup> anniversary as a musical entity, it also features 15 tracks to commemorate their existence.\u00a0 While not a Christian band in any sense of the term (no members currently profess Christianity), many readers will be familiar with their work due to the connections of Ian Arkley and Simon Bibby to their previous band Seventh Angel.\u00a0 While DPS <\/em>does not make any faith statements, it also does not make any statements that would be deemed anti-Christian.<\/p>\n\n\n\n

Let\u2019s talk about the music, shall we?\u00a0 Buckle up, but this album is quite the ride.\u00a0 Electric guitars are present, but very minimal.\u00a0 There is no distortion, and nothing really resembling conventional metal, except for the occasional harsh vocals, but even those are used sparingly.\u00a0 And yet, to my utter surprise, the album is still very heavy metal in its overall feel and aesthetic.\u00a0 Mostly comprised of very dark sounding folk tunes, the album makes extensive use of frame drumming (more on that in a moment), also employing medieval-sounding melodies, and a heavy reliance on keyboards.<\/p>\n\n\n\n

The album begins with the quiet, darkly ambient piano-driven instrumental \u201cAn Affectionate Remembrance,\u201d later enhanced by the use of strings and keys, before picking up the intensity on the appropriately-titled \u201cWarhawks.\u201d  One of the strongest songs on the album, it features powerful use of the frame drum and a medieval, minstrel-like melody.  This is all offset by the juxtaposition of harsh vocals.  The song is incredibly intense and would make the perfect soundtrack to a bloody battle scene between men and orcs.<\/p>\n\n\n\n

\u201cDiadem,\u201d carrying on the medieval theme (pounding the frame drum again), sounds like it could have been on a Dead Can Dance album (from their 90s ethnic fusion era), until the layered vocals come in.  In fact, this use of multiple vocals is a recurring theme on the album\u20142 or 3 different vocals with different styles and ranges singing in a rhythmic unison.  It\u2019s incredibly effective!  Once again it conjures in my mind images of warriors riding across the plains and up to the king\u2019s court.<\/p>\n\n\n\n

\u201cBacchanal\u201d takes the medieval theme even farther, and yet it still has that MSW dark feeling to it\u2014mostly due to the use of deep keyboard sounds and more of the drumming style again.  \u201cArfyn\u201d slows things down considerably with an acoustic track of mostly classical guitar, join with some ambient keys and choir-like vocals.<\/p>\n\n\n\n

\u201cAll Our Fears Are Over\u201d is extremely dark and heavy despite it still being largely acoustic.  This is largely accomplished through the use of electric bass guitar.  It\u2019s dark and ominous and sticks in your head long after you\u2019ve stopped listening.  It is probably the \u2018heaviest\u2019 track on the album in the conventional sense of heaviness, and probably my favourite track on the album.<\/p>\n\n\n\n

\u201cFertile Ground Pt. 1\u201d is another mostly acoustic track with some whispered\/spoken vocals, which is another tactic used to great effect across the record.  \u201cOf Loss and Regret\u201d is a mostly acoustic guitar instrumental with some dark synthesizer underneath that almost resembles a really low bagpipe; again with the pounding drums and some powerful spoken word over the top.<\/p>\n\n\n\n

\u201cFall in the Sea\u201d is one of the mellowest songs on the album, featuring acoustic guitars with some bells and the trademark multiple voices\u2014almost choir-like but that still doesn\u2019t give you the full picture.  This track really features the production skills of keyboardist Simon Bibby.<\/p>\n\n\n\n

If you haven\u2019t gathered it yet, a theme of the album is loss and grief.  Track 10, \u201cTo Feel the Caress of Long-Dead Lovers\u201d drives this home in particular.  The song is dark yet mellow with some keys, clean electric guitars and bass, and again lots of layered vocals.  The lead vocal is a hushed\/sung with an almost whisper-like delivery.  It reminds me slightly of some of the romantic-themed tunes on Seventh Angel\u2019s The Dust of Years.<\/em><\/p>\n\n\n\n

\u201cTriple Life\u201d is an instrumental ambient track with lots of keys and tribal percussion, followed by \u201cThe Rhyme of Winter\u2019s Children\u201d featuring layered vocals and keys.  While the track starts out melancholy and mellow, it builds into big sweeping, epic soundscapes.  What started out quietly actually becomes one of the \u2018largest\u2019 tracks on the album.<\/p>\n\n\n\n

\u201cMonochrome\u201d is one of the most ambient tracks on the album, beginning very sparse\/minimalist, but then that builds into a noisy cacophony of sound.  \u201cThe Mourning Earth\u201d continues the ambient vibe but adds some of that now characteristic and powerful frame drumming.  The album closes with \u201cBerceuse,\u201d a piano-led ballad with soft female vocals, that leads into operatic male tenor vocals backed by a theatrical chorus, thus finishing on a high note.<\/p>\n\n\n\n

I can\u2019t say enough positive things about this album.  While not traditional heavy metal by any stretch of the term, it is nonetheless very \u2018heavy.\u2019  It should appeal to fans of folk metal, mellower doom metal, and even post-metal.  Links for ordering are below.  5\/5<\/p>\n\n\n\n

Release Label: Opa Loka Records <\/p>\n\n\n\n

http:\/\/www.opa-loka-records.com<\/a><\/p>\n\n\n\n

http:\/\/www.mysilentwake.com<\/a><\/p>\n\n\n\n

https:\/\/mysilentwake2.bandcamp.com\/<\/a><\/p>\n\n\n\n

https:\/\/www.facebook.com\/MySilentWake\/<\/a><\/p>\n\n\n\n

https:\/\/www.instagram.com\/my_silent_wake_doom\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Doom metallers My Silent Wake are back with their 11th album overall, and their 4th…<\/p>\n","protected":false},"author":7,"featured_media":6298,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1020],"tags":[25,704,1169,172,1168,418,778,538,276,1167],"class_list":["post-6297","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-acoustic","tag-ambient","tag-century-sleeper","tag-doom-metal","tag-firefly","tag-folk-metal","tag-ian-arkley","tag-my-silent-wake","tag-seventh-angel","tag-the-other-window"],"yoast_head":"\nMY SILENT WAKE: Damnum per Saeculorum - Heaven's Metal Magazine<\/title>\n<meta name=\"description\" content=\"Doom metallers My Silent Wake are back with their 11th album, and 3rd in their acoustic\/ambient\/experimental explorations.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/heavensmetalmagazine.com\/index.php\/2021\/03\/26\/my-silent-wake-damnum-per-saeculorum\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MY SILENT WAKE: Damnum per Saeculorum - 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