{"id":6325,"date":"2021-03-27T03:33:29","date_gmt":"2021-03-27T03:33:29","guid":{"rendered":"https:\/\/heavensmetalmagazine.com\/?p=6325"},"modified":"2021-03-27T03:33:33","modified_gmt":"2021-03-27T03:33:33","slug":"detritus-myths","status":"publish","type":"post","link":"https:\/\/heavensmetalmagazine.com\/index.php\/2021\/03\/27\/detritus-myths\/","title":{"rendered":"DETRITUS: Myths"},"content":{"rendered":"\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>One of the most intriguing and anticipated releases of 2021 marks the return of U.K.\u2019s Detritus. This progressive thrash outfit released those two wonderful albums in 1990 (<em>Perpetual Defiance<\/em>) and 1993 (<em><a href=\"https:\/\/heavensmetalmagazine.com\/index.php\/2019\/04\/21\/detritus-if-but-for-one-legends-remastered\/\" target=\"_blank\" rel=\"noreferrer noopener\">If But For One<\/a><\/em>) \u2013 both re-released on CD and LP in 2019\/2020 by <a href=\"http:\/\/www.boonesoverstock.com\" target=\"_blank\" rel=\"noreferrer noopener\">Retroactive Records<\/a>. Nearly 30 years later Detritus have found their way back into the music scene with <em>Myths<\/em> \u2013 an enigmatic collection of progressive doom metal anthems overflowing with contemporary observations, truths and wisdom.<\/p>\n\n\n\n<p>Wait, progressive \u201cdoom\u201d metal? Yes, for the most part, the fast thrash elements which defined the first two albums, and made them so electrifying, are mostly absent. While surprising at first, this new sound has a rich, enduring quality which combines the best elements of classic\/doom\/power metal with the more contemporary sounds of progressive metal. Powerful? Yes, but also more sobering and, at times, melancholy. If you combined Seventh Angel (<em>Lament for the Weary <\/em>&#8211; era) with Trouble and threw in the more progressive, haunting elements of Swedish acts like Pain of Salvation, Veni Domine and Evergrey you would arrive close to <em>Myths<\/em> doomy doorstep.<\/p>\n\n\n\n<p>Fans will be pleased to know that the core members, Mark Broomhead (vocals\/bass\/synths), Andy Neal (guitars) and Andy Bright anchor this new incarnation of Detritus. New additions include Michael Bryzak (guitars) and Paul Newington-Wise (guitar). Yeah, that is a LOT of guitar. Not surprisingly, Simon Bibby (Seventh Angel) contributes on vocals. Greg Chandler engineered, mixed and mastered this masterpiece. End result = a sonically phenomenal and impactful recording which sounds incredible at any volume level. It has been a long time since I\u2019ve heard a digital rendering this deep and rich in analog qualities. I can only imagine how good this will sound on vinyl!<\/p>\n\n\n\n<p><em>Myths<\/em> is not quite as diverse as <em>If But For One<\/em>, but there is still plenty of dynamic contrast and variation in song structure track to track to foster one of the most immersive recordings I\u2019ve heard this year. In some ways <em>Myths<\/em> reminds me of Psychotic Waltz \u2013 <em>The God-Shaped Void<\/em> from 2020, an album which similarly featured a great mix of traditional classic\/doom metal with more contemporary progressive leanings.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Detritus   Bright Black\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/KP6PWws2G2U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>\u201cMyth of Redemptive Violence\u201d<\/strong> is a one-minute lead-in atmospheric instrumental which serves as the proverbial \u201cquiet-before-the-storm\u201d to <strong>\u201cBright Black.\u201d<\/strong> The heavy, plodding guitars perfectly complement Broomhead\u2019s vocal onslaught. He hasn\u2019t lost a fraction in the vocal quality\/power equation \u2013 his voice reminiscent of those snarling passages of past. Feels more like 5 years rather than 28 years have passed.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong><span class=\"has-inline-color has-luminous-vivid-orange-color\">\u201cYour loveless god leaves you dead inside.\u201d<\/span><\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The visceral reality to <strong>\u201cTale of Sadness\u201d<\/strong> is immediately apparent in the opening salvo of lyrics. The heavy pulse of bass and guitar paint the sad picture of hopelessness.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>\u201cThere\u2019s a tale of sadness written in the snot-stains on your pillow.\u201d<\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>But there is always hope\u2026<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong><span class=\"has-inline-color has-luminous-vivid-orange-color\">\u201cCome child can\u2019t you see the sun is shining\/Run wild\/Maybe we\u2019ll find a better day.\u201d<\/span><\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The tension mounts with <strong>\u201cCall Me Human\u201d<\/strong> \u2013 a song for the refugee of war. The intensity of the music builds with more guitar crunch and just a notch more pace.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>\u201cWhile you sleep\/From fear of death I flee\/to ocean deep.\u201d<\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>\u201cExoria\u201d<\/strong> follows \u2013 a soft intro section with piano\/synth and samples to set the mood of being stranded\/displaced to desert sands. The song crescendos to a slow rock groove as Broomhead declares\u2026<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong><span class=\"has-inline-color has-luminous-vivid-orange-color\">\u201cGrasping at shadows and dreams\/Nothing\u2019s quite as it seems.\u201d<\/span><\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>After a brief piano interlude, the crushing\/plodding plea\u2026<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-large-font-size\"><strong>\u201cLead me through\/To You\u201d<\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>And the music escalates towards the finale with repeated chants of \u201cto you\u201d<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Detritus  - Bloodstained Glass\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/e7sXVknbnfg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>While the first half of the album is dark\/doomy and slower paced, <strong>\u201cBloodstained Glass\u201d<\/strong> marks a transition to the heavier, more progressive and faster-paced metal push which characterizes the second half of the album. These last 4 songs are simply spectacular in content, diversity and execution. But the lyrics are not for the faint of heart\u2026<\/p>\n\n\n\n<p>The song opens with choral vocals that hauntingly outline the failures and harm done by the church.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong><span class=\"has-inline-color has-luminous-vivid-orange-color\">\u201cPoison fruit that we yield\/Ancient bloodline congealed\/Scattered bloodstained broken glass left where we once kneeled\/As we blacken the sun\/We deny what we have done\/Shattered dreams passed from fatherless father to son.\u201d<\/span><\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Wow. Then kicks in this industrial\/electronic rhythm out of nowhere that sounds something akin to what Veni Domine put forth on their latter releases as the vocalist releases provocative scathing grunts. The lyrics on this album remind me of what Saviour Machine presented with their debut release \u2013 painful truths proclaimed in common vernacular.<\/p>\n\n\n\n<p>This song is a departure for Detritus, but Broomhead\u2019s vocals hold it all together and in the end, it becomes one of my favorite tracks on the album because it steps out of the metal norm.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Detritus - Pharisee (2021)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/1ggw6Hj1IqQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>\u201cPharisee\u201d<\/strong> introduces one of the most catchy and certainly \u201ctrippy-ist\u201d riffs and melodies this band has put forth. What a brilliant song both musically and lyrically. Here we really are treated with an uptick in Andy Bright\u2019s drum presence with some great grooves and fills. The song is a self-revelational scolding of sorts.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>\u201cPharisee\/Have I become a pharisee?\/Pharisee\/Yeah, point the finger back at me.\u201d<\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>\u201cThe Game\u201d<\/strong> screams classic\/power metal with a crunchy mid-tempo groove with some killer guitar tones and power chords.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong><span class=\"has-inline-color has-luminous-vivid-orange-color\">\u201cAnd now we can\u2019t tell the pleasure from the pain\/And we\u2019ll die of dehydration as we\u2019re drowning in champagne.\u201d<\/span><\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>I can\u2019t think of sentiments I\u2019ve felt more accurately about politics than this song expresses.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>\u201cThe nation speaks\/But I know that voice is not mine\u201d<\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>\u201cForever Soldier\u201d<\/strong> is the quintessential metal tune. You have those eerie choral chant passages to open the song amidst gunfire and sounds of modern-day warfare. The chugging guitars grind out relentless riffs as Broomhead pleads his case for peace. I think this song reminds me more of the tones\/styles from <em>If But For One<\/em> than any of the other songs on the album. I love the attacking nature of his vocals in the chorus, akin to \u2026 yeah, the explosive nature of gunfire.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong><span class=\"has-inline-color has-luminous-vivid-orange-color\">\u201c\u2019Neath the dark, we are scared\/\u2019Neath the dark, I cannot break my rage\u201d<\/span><\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>But with the final section of the song there is a break to the \u201crage\u201d with the ethereal voices singing, \u201cTear this out, this feud of years no more\/Tear this out, vengeance be gone\/No more this night.\u201d<\/p>\n\n\n\n<p>In 2021 it is hard enough to make music that is original enough in content and credible enough in execution to garner the attention of the mediocrity-consuming masses, let alone say something in a new and fresh, yet sobering, manner to be relevant and powerful. Detritus have succeeded in doing just such on both levels, yet sadly the masses will continue to believe the myths and fail to find the beauty, power and truth in the music and the message. Easily one of the best metal releases for 2021.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><a href=\"https:\/\/boonesoverstock.com\/products\/detritus-myths-new-cd-2021-retroactive-records-pre-order?_pos=5&amp;_sid=04fddf6bf&amp;_ss=r\" target=\"_blank\" rel=\"noreferrer noopener\">Retroactive Records<\/a><\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/embryoindustries.com\/detritus\" target=\"_blank\" rel=\"noreferrer noopener\">Detritus Embryo Records<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Track Listing:<\/p>\n\n\n\n<p>1. Myth of Redemptive Violence (1:05)<\/p>\n\n\n\n<p>2. Bright Black (4:27)<\/p>\n\n\n\n<p>3. Tale of Sadness (4:53)<\/p>\n\n\n\n<p>4. Call Me Human (4:44)<\/p>\n\n\n\n<p>5. Exoria (8:42)<\/p>\n\n\n\n<p>6. Bloodstained Glass (6:22)<\/p>\n\n\n\n<p>7. Pharisee (3:52)<\/p>\n\n\n\n<p>8. The Game (5:10)<\/p>\n\n\n\n<p>9. Forever Soldier (6:58)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of the most intriguing and anticipated releases of 2021 marks the return of U.K.\u2019s&#8230;<\/p>\n","protected":false},"author":4,"featured_media":6327,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1020],"tags":[455,172,456,279,182],"class_list":["post-6325","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-detritus-d66","tag-doom-metal","tag-mark-broomhead","tag-progressive-metal","tag-retroactive-records"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>DETRITUS: Myths - Heaven&#039;s Metal Magazine<\/title>\n<meta name=\"description\" content=\"Myths is the powerful new progressive doom metal release - first in 28 years - from U.K.&#039;s brilliant Detritus.\" \/>\n<meta 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