{"id":8602,"date":"2022-10-09T20:06:51","date_gmt":"2022-10-10T00:06:51","guid":{"rendered":"https:\/\/heavensmetalmagazine.com\/?p=8602"},"modified":"2022-10-09T21:21:36","modified_gmt":"2022-10-10T01:21:36","slug":"signum-regis-exodus-2022","status":"publish","type":"post","link":"https:\/\/heavensmetalmagazine.com\/index.php\/2022\/10\/09\/signum-regis-exodus-2022\/","title":{"rendered":"SIGNUM REGIS: Exodus (2022)"},"content":{"rendered":"\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Exodus<\/em> was originally released in 2013 on <a href=\"http:\/\/www.ulterium-records.com\" target=\"_blank\" rel=\"noreferrer noopener\">Ulterium Records<\/a> to great acclaim. Signum Regis had released their first two albums to some international success, but with the departure of singer G\u00f6ran Edman, the band was unsure how to proceed with their third album. Band founder\/bassist\/keyboardist Ronnie K\u00f6nig had written a trilogy of songs based on the Biblical accounts in the book of Exodus, but as is detailed in the 20-page booklet (with liner notes\/band history) which accompanies this lush 2022 reissue, Emil Westerdahl suggested the band write an entire concept album based on Exodus with each song featuring a different singer. And thus was born <em>Exodus<\/em>!<\/strong><\/p>\n\n\n\n<p><strong>Filip Kolu\u0161 (guitars) and Jaro Jan\u010dula (drums), who are both still a vital part of Signum Regis, performed on the original release, along with a few other musicians, the most significant of these Jan Tupy who would stay on to become the band\u2019s keyboardist and singer Mayo Petranin who would stay on with the band for the next 3 full-length releases and the <em>Through the Storm<\/em> EP. In addition to Petranin (who sings on \u201cMountain of God\u201d) eight other singers were featured on <em>Exodus<\/em>. (see below for details)<\/strong><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Exodus <strong>2022 &#8211; Reissue\/Remix\/Remaster<\/strong><\/h2>\n\n\n\n<p>This reissue is more than just a reissue as all the tracks have been both remixed and remastered by Jacob Hansen, with new arrangements to several songs and backing vocals added to two tracks by current Signum Regis vocalist Jota Fortinho. As a result, the track durations are all slightly different from the original as is the song order, with <strong>\u201cSole Survivor\u201d<\/strong> now following <strong>\u201cMountain of God.\u201d<\/strong> And the bonus track for this reissue \u201cEnslaved\u201d features newly recorded vocals by Fortinho.<\/p>\n\n\n\n<p>Furthermore, the physical product has been expanded as well to a lush 3-panel digipak with the expanded booklet. The 2013 release featured a black label disc housed in a jewel case with 12-page booklet, whereas the 2022 features a new CD label (cover art) and a 20-page booklet with extensive liner notes (commentary on all the individual tracks, band history and facts about the reissue) by Ronnie K\u00f6nig, credits, and complete lyrics. One fact about the 2013 issue was that the lyrics to \u201cMountain of God\u201d were not included, but are now included on the 2022 version. Otherwise, the layout and artwork in the lyrics section matches the original.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Signum Regis - Enslaved (feat. Thomas Winkler) (Remixed &amp; Remastered 2022) [OFFICIAL AUDIO]\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ZDFA4Tb7LD8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Exodus 2022 &#8211; <strong>The Sound<\/strong><\/h2>\n\n\n\n<p>According to the liner notes (and I\u2019ve also confirmed with Emil Westerdahl) these tracks have been remixed (by Jacob Hansen) from the original recording sessions, which means they aren\u2019t just remastered to a louder volume. This is fantastic because even on first listen I was caught up in how \u201cfull\u201d these songs sound now. The most significant improvement is the guitar tones, which are now up front in the mix lending a much beefier, metal vibe to the music.<\/p>\n\n\n\n<p>Second, the low-end bass drum punch is more audible and the EQ across the spectrum more balanced. This means you can really crank this up without listener fatigue, but the bass is still plenty audible when listening at lower volumes. The vocals similarly benefit from the remix as each singer\u2019s distinctive qualities and strengths are now better appreciated and distinguished song to song.<\/p>\n\n\n\n<p>The overall effect of these changes is likely a realization of the sound the band would have loved to put forth when <em>Exodus<\/em> was originally released. Short of re-recording everything (which would not only have been expensive and time-consuming but might have risked unraveling the magic of the original music) this remix\/remaster does the trick in simultaneously capturing the beauty, power and essence of the original and releasing it with an invigorated light into a dark world with its timeless message of deliverance!<\/p>\n\n\n\n<p>[This would be my next vote for an Ulterium Records vinyl release\/reissue]<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">For those who haven\u2019t heard <em>Exodus<\/em> \u2026 and for those who have forgotten\u2026<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Exodus &#8211; <strong>The Music<\/strong><\/h2>\n\n\n\n<p><em>Exodus<\/em>, while easily categorized as a melodic, power metal concept album, is beautifully crafted from start to finish with elements of symphonic and progressive metal gently injected. The flow of music throughout its 50-minute course is fluid and dynamic, with little repetition or listener fatigue. The instrumental <strong>\u201cOn the Nile\u201d<\/strong> opens the album in serene, almost hypnotic fashion as it sets the stage for the saga. Written by Filip Kolu\u0161, the acoustic guitar driven intro features drummer Jaro on the flute (in multi-instrumentalist fashion) and the choral elements impart a somber yet cinematic color to the musical journey which follows.<\/p>\n\n\n\n<p><strong>\u201cEnslaved,\u201d<\/strong> the first vocal\/lyric track, features the voice of <strong>Thomas Winkler<\/strong> (Gloryhammer) as he outlines the predicament of the Hebrew slaves in Egypt. The song \u2013 now featured as part of the band\u2019s live set \u2013 is a melodic, power metal gem with fast tempo, double bass triplets and melodic hooks in the chorus. Think Stratovarius! Backing vocals were added by Jota Fortinho on this 2022 version, but Winkler\u2019s vocal, yet gritty, clarity soars on the remix and the guitars punch through now with more \u201cmetal\u201d conviction.<\/p>\n\n\n\n<p>The opening symphonic segment of <strong>\u201cThe Promised Land\u201d<\/strong> was programmed\/performed on keyboards by Ivo Hofmann, but after 45 seconds the song quickly progresses into another fast-tempo number as <strong>Mike Vescera<\/strong> (Yngwie Malmsteen) assumes the vocal controls as the Lord commissions Moses with the task of leading his people out of slavery and into the land \u201cwhere milk and honey flow.\u201d Again, the guitars come to the forefront, lending a much heavier tonality to the whole song.<\/p>\n\n\n\n<p><strong>Eli Prinsen<\/strong> (The Sacrificed\/Sacred Warrior\/Aldaria) is featured on <strong>\u201cLet Us Go!\u201d<\/strong> The deeper tenor in his voice, along with the frenetic drumming and guitar riffing on this song, conveys the urgency in the lyrics.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><em>\u201cBetter you not\/Ignore our words\/For you don\u2019t want to learn\/Lessons I give you with my rod\u201d<\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>I\u2019ve always loved the pace and aggression on this one along with the killer guitar solo.<\/p>\n\n\n\n<p>The song also perfectly complements the even more intense response from Pharoah on the subsequent <strong>\u201cWrath of Pharoah\u201d<\/strong> which features a killer vocal performance by <strong>Samuel Nyman<\/strong>. The cinematic \u201cdoor-pounding\u201d effects set the stage for the thrash-y lashing which follows as Pharoah seeks to have all the Hebrew sons executed. This is one of the most dynamic songs on the album as there is this back-and-forth tension between the speedy verses and that bouncy chorus section. Think Metallica meets Testament musically yet with these insanely high-pitched screaming vocals. Killer!<\/p>\n\n\n\n<p><strong>\u201cThe Ten Plagues\u201d<\/strong> is a victory at every level \u2013 concise, yet replete with conviction and force of effort courtesy <strong>Matt Smith<\/strong> (Theocracy). Smith\u2019s vocal clarity, tone and pitch is always refreshing, but where the message (in this case to Pharoah) had to be so crystal clear, who better to deliver it than Smith himself!<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><em>\u201cNo cure for plague boils\/No hope when thunder spoils\/No escape from the darkness\/No point to fight our God\u201d<\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>While <em>Exodus<\/em> is a lyrically saturated album (as are most concept pieces), the instrumental elements of Signum Regis should not go understated \u2013 these 3 guys can tear it up which they showcase on the instrumental interlude <strong>\u201cLast Days in Egypt.\u201d<\/strong><\/p>\n\n\n\n<p>The <strong>title track<\/strong> features a merging of Signum Regis and Balance of Power. Co-written by Ronnie and Lance King, there is a familiar vibe and melody line here, with the style best described as a melodic metal rocker with killer hooks ala Impellitteri. It is certainly one of the catchiest and most melodically satisfying songs on the album.<\/p>\n\n\n\n<p>In similar melodic metal brilliant fashion <strong>\u201cSong of Deliverance\u201d<\/strong> follows as Brazilian vocalist <strong>Daisa Munhoz<\/strong> sings her heart out accompanied in the choruses by Lance King and Matt Smith. This \u201csong of praise\u201d is one of the fastest tracks on the album and one of the more progressive in nature with its dynamic structure, heavier emphasis on keyboards, and longer duration. While the song represents the climax of the story, Signum Regis has more to say\u2026<\/p>\n\n\n\n<p><strong>\u201cMountain of God\u201d<\/strong> is somewhat of a reprise musically, but it represents a critical intervention in the lives of the Hebrews lyrically. Originally it was presented almost as a \u201cbonus\u201d track after \u201cSole Survivor\u201d on the 2013 release. Enter Mayo Patranin. Love this guy\u2019s voice, and this song served as his debut for Signum Regis. His legacy with the band stands for itself as \u201cthe rest was history.\u201d<\/p>\n\n\n\n<p>The Helloween cover of <strong>\u201cSole Survivor\u201d<\/strong> was originally recorded by the band\u2019s previous drummer (Adrian Ciel) and G\u00f6ran Edman on vocals. Amazing track.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><a href=\"https:\/\/ulteriumstore.com\/collections\/cds\/products\/signum-regis-exodus-remixed-remastered-2022-digipak-cd-edition\" target=\"_blank\" rel=\"noreferrer noopener\">Ulterium Records<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Track Listing:<\/p>\n\n\n\n<p>1. On the Nile (2:16)<\/p>\n\n\n\n<p>2. Enslaved (4:46)<\/p>\n\n\n\n<p>3. The Promised Land (5:29)<\/p>\n\n\n\n<p>4. Let Us Go (4:03)<\/p>\n\n\n\n<p>5. Wrath of Pharoah (4:36)<\/p>\n\n\n\n<p>6. The Ten Plagues (4:44)<\/p>\n\n\n\n<p>7. Last Days in Egypt (3:48)<\/p>\n\n\n\n<p>8. Exodus (4:14)<\/p>\n\n\n\n<p>9. Song of Deliverance (6:50)<\/p>\n\n\n\n<p>10. Mountain of God (4:07)<\/p>\n\n\n\n<p>11. Sole Survivor (4:32)<\/p>\n\n\n\n<p>12. Enslaved (Jota Fortinho) (4:46)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exodus was originally released in 2013 on Ulterium Records to great acclaim. Signum Regis had&#8230;<\/p>\n","protected":false},"author":4,"featured_media":8603,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1020],"tags":[318,408],"class_list":["post-8602","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-signum-regis","tag-ulterium-records"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>SIGNUM REGIS: Exodus (2022) - Heaven&#039;s Metal Magazine<\/title>\n<meta name=\"description\" content=\"Exodus 2022 is the remake of Slovakian power metallers 2013 epic concept metal release featuring nine vocalists and a Jacob Hansen remix.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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