{"id":9940,"date":"2023-08-11T13:09:10","date_gmt":"2023-08-11T17:09:10","guid":{"rendered":"https:\/\/heavensmetalmagazine.com\/?p=9940"},"modified":"2023-08-11T13:09:11","modified_gmt":"2023-08-11T17:09:11","slug":"vultures-gathering-the-hunt","status":"publish","type":"post","link":"https:\/\/heavensmetalmagazine.com\/index.php\/2023\/08\/11\/vultures-gathering-the-hunt\/","title":{"rendered":"VULTURES GATHERING: The Hunt"},"content":{"rendered":"\n<p>(Roxx Records)<\/p>\n\n\n\n<p>Multi-national band Vultures Gathering are a bit of a supergroup, featuring vocalist Chaz Bond (Jacobs Dream, Biogenesis), guitarist Ryan Roebuck (Motivik, Ritual Servant), and guitarist Andre Chiang (Necromanicide) from Malaysia.&nbsp; Chiang also performs bass and drum duty on the album.&nbsp; I assume this is a studio-only project, given their international status, but I suppose time will tell.<\/p>\n\n\n\n<p>While <em>The Hunt<\/em> is essentially power metal, it also has elements of traditional heavy metal, thrash, and even some death metal, though it doesn\u2019t ever fall fully into any of those camps.&nbsp; The songs are heavy, but melodic, mid-paced, and feature the occasional scream.<\/p>\n\n\n\n<p>The first things you\u2019ll notice upon listening are competent musicianship, clean production, and heavy, heavy, heavy, . . . . well, you get the picture.&nbsp; Bond\u2019s vocals fit the music well, although they might take some time getting used to if you\u2019re not used that melodic-yet-gruff vocal approach.&nbsp; While each of the band members are well-versed in their respective crafts, at times the project feels the weight of being a studio project from distant members.&nbsp; It\u2019s not that they\u2019re not tight musically, or even&nbsp; together.&nbsp; It\u2019s just that it feels a tiny bit disjointed at times\u2014as if the band members are not sitting in the room together writing and playing.&nbsp; That\u2019s, of course, because they\u2019re not.&nbsp; Nonetheless, this is one of those releases that gets better each time you listen to it.<\/p>\n\n\n\n<p>Let\u2019s consider a few highlights from the album, shall we?&nbsp; \u201cAt First Sight\u201d is super heavy, with layered riffs on top of riffs and Bond\u2019s signature crooning juxtaposed with some occasional thrashy singing.&nbsp; \u201cFalse Crown,\u201d the longest song on the album at 8:57, raises the bar by adding some high-pitched wailing from Bond.&nbsp; We\u2019re starting to catch a glimpse too of the band\u2019s formula\u2014ultra-heavy, crunchy rhythm guitars underneath a more melodic guitar riff.&nbsp; While that may sound basic, there\u2019s something about the way VG does it that makes it sound unique to my ears.&nbsp; The rhythm guitars (from Chiang) are what brings the thrash\/death vibe, while the melodic leads of Roebuck paired with Bond\u2019s vocals keep them securely in the power metal realm.&nbsp; There\u2019s also some occasional, very effective use of keys to add a little atmosphere to the sound.<\/p>\n\n\n\n<p>The title track comes third on the disc, and here we see the band at their thrashiest in terms of the rhythm guitars, ironically juxtaposed with a synthesized string section reminiscent of the opening track \u201cRe-Inception\u201d from Grave Decay\u2019s <em>From Dust to Dust<\/em> album from 2018.&nbsp; The track also reminds me a tiny bit of Megadeth.&nbsp; \u201cIn Paradise\u201d slows the pace down again, but with a very satisfying crunch in the rhythm section.&nbsp; The track centers on the thief on the cross and his final plea:<\/p>\n\n\n\n<p><em>Please remember me<\/em><\/p>\n\n\n\n<p><em>When you come into your kingdom<\/em><\/p>\n\n\n\n<p><em>Please remember me!<\/em><\/p>\n\n\n\n<p>During my second or third listen, I noticed some very familiar lyrics that I hadn\u2019t noticed the first time around:<\/p>\n\n\n\n<p><em>We have plastic<\/em><\/p>\n\n\n\n<p><em>We have metal<\/em><\/p>\n\n\n\n<p><em>We have oil<\/em><\/p>\n\n\n\n<p><em>We have steel<\/em><\/p>\n\n\n\n<p><em>We have food stuffed in our bellies<\/em><\/p>\n\n\n\n<p><em>And we\u2019re big on sex appeal<\/em><\/p>\n\n\n\n<p>Wait!&nbsp; Those are Bloodgood lyrics from \u201cAmerica\u201d (from their <em>Out of the Darkness<\/em> album).&nbsp; Vultures\u2019 version is very different from the original 1989 version, and yet it\u2019s a true re-working of the classic.&nbsp; However, I was surprised to see that the track was not credited to Bloodgood in the liner notes.&nbsp; Was that just an oversight, or a complication of copyrighting?&nbsp; Thankfully, they do acknowledge the original on the band\u2019s Bandcamp page.<\/p>\n\n\n\n<p>Album closer \u201cTruth Be Told\u201d again employs a layered vocal approach: Bond\u2019s high-pitched wail layered over the top of his baritone line.&nbsp; This track also gets close to thrash tempos\u2014close but not all the way there.<\/p>\n\n\n\n<p>This is a good power metal release overall, and a welcome addition to Christian metal.<\/p>\n\n\n\n<p>My rating: 3.5\/5<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Roxx Records) Multi-national band Vultures Gathering are a bit of a supergroup, featuring vocalist Chaz&#8230;<\/p>\n","protected":false},"author":7,"featured_media":9941,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1020],"tags":[138,1682],"class_list":["post-9940","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-roxx-records","tag-vultures-gathering"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>VULTURES GATHERING: The Hunt - Heaven&#039;s Metal Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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