IronWrath \u2013 Master Storyteller<\/p>\n\n\n\n
(Mystic Water Records)<\/p>\n\n\n\n
Christian metal fans who have a long history with the genre will be familiar with the name IronWrath. They first appeared on the Underground Metal 2 compilation with the track \u201cThe Stranger\u201d which featured a traditional heavy metal sound with some speed metal tendencies. On a sidenote, some fans may also know that IronWrath featured 4\/5 members of Holy Right. Both bands were spawned out of Riverside CA in the 1980s.<\/p>\n\n\n\n
But enough of the history lesson. Is the same IronWrath that we heard back in \u201989? Well yes, and also emphatically no. While 3 original members are still involved on Master Storyteller, the sounds are completely different. This time we have a very modern take on heavy metal\u2014lots of alternative, grunge, and nu metal influences, and also some very electronic\/industrialtouches are generously sprinkled throughout the album. While this is the same IronWrath that debuted in the late 80s, at the same time this is not the same IronWrath.<\/p>\n\n\n\n
\u201cOne\u201d begins with an electronic beat that is followed up with some heavy guitars. They\u2019ve definitely been listening to some Rob and\/or White Zombie since we last heard them in the 80s. The chorus of \u201cwe have one life, one dream, one chance to rise above\u201d serve as both a pick-me-up and a challenge all at the same time.<\/p>\n\n\n\n
\u201cMaster Storyteller\u201d ups the ante on the heaviness for sure. There\u2019s still an electronic beat with lots of samples, but this one is more metallic than the last overall. They remind me a little of Leaderdogs for the Blind (who remembers that 90s band?) where it\u2019s essentially metal, but there is an industrial influence. The track features a great guitar solo. \u201cLegends Never Die\u201d is a sort of melodramatic arena rock song that takes itself a little too seriously for my liking. It\u2019s performed well, but it\u2019s not one I\u2019ll return to frequently.<\/p>\n\n\n\n
\u201cTyranny\u201d brings back the heavy guitars and electronic beats, but then settles into a slow almost ballad-like tempo on the verses. The lyrics seem to address politics to some degree but it\u2019s not clear what they\u2019re referring to:<\/p>\n\n\n\n
So hold on, as we suit up for war,<\/p>\n\n\n\n
Life is a battle from the day we were born.<\/p>\n\n\n\n
They want oppression when freedom\u2019s our right<\/p>\n\n\n\n
No disagreeing, or they\u2019ll take your life!<\/p>\n\n\n\n
Because the \u201cthey\u201d is ambiguous, it\u2019s hard to know exactly what the tyranny is that they\u2019re describing. This makes the militaristic language a little concerning to this reviewer.<\/p>\n\n\n\n
\u201cThy Shall Return\u201d is a mid-tempo metal song with lots of flashy guitar playing. In fact, guitarists and fans of heavy metal guitar solos should really enjoy this album, as the playing is really good. <\/p>\n\n\n\n
Next up is a cover of the Johnny Cash classic \u201cGod\u2019s Gonna Cut You Down.\u201d While no one can beat the man in black, their version is a decent re-working of the song that both re-envisions the track and stays true to the original\u2014the real test of a cover tune. \u201cFreedom\u201d goes back into full industrial-metal mode with some crunchy rhythms and vocal harmonies on the chorus. \u201cI\u2019m Alive\u201d is one of the heavier tracks so far, but it still has a melodic chorus almost reminiscent of some nu metal stuff and an *almost* rap-metal vocal delivery in places.<\/p>\n\n\n\n
In contrast to \u201cTyranny\u201d above, \u201cBed of Lies\u201d is a much more effective protest song, as the enemy of consumeristic materialism driven by big tech is clearly the target this time around:<\/p>\n\n\n\n
We reap what you sow\u2026 As we fight for our lives.<\/p>\n\n\n\n
Yeah, neglect what you owe\u2026 Now we\u2019re paying the price.
Have a cigar while you destroy our lives\u2026
Laying in a bed of lies (2x)<\/p>\n\n\n\n
Deep in the darkness, deception will rise.
Infiltrating our youth and causing to demise!
The media sells it, big tech controls speech.
The narrative states, \u201cYou must do as we preach!\u201d <\/p>\n\n\n\n
The world has lost its way\u2026
Turn your back for a buck and sell our freedom away!<\/p>\n\n\n\n
Corporate responsibility for destructive actions? That\u2019s a protest I can get behind.<\/p>\n\n\n\n
\u201cThe Best Part of Me\u201d is a ballad with synth-strings and a heartfelt tale about the loss of a friend to death. Yet there is an expressed hope of seeing them again in eternity:<\/p>\n\n\n\n
As the song remains the same,
You’re still the best of me\u2026 You believed in me.
Your voice lives beyond the grave,
Beyond the tragedy\u2026 You are still\u2026 the best part…<\/p>\n\n\n\n
As I close my eyes at night… I see you, my friend.
I\u2019ll cherish all my days\u2026 till we meet again!<\/p>\n\n\n\n
\u201cMasquerade\u201d is another heavy rocker that juxtaposes Christian martyrs who have suffered for their faith, with the way contemporary Christianity is often made up of people wearing masks, pretending to be authentic, but without any substance behind it. <\/p>\n\n\n\n
\u201cImagine a World\u201d starts with a dark and brooding industrial beat. It\u2019s slow, dark, and heavy\u2014almost ironic considering it\u2019s a sort of worship song where the writer tries to imagine a world without God and the wholeness and peace He brings. The song also features a prominent and well-executed guitar solo, like we\u2019ve heard elsewhere on the album so far. Closing out the album is \u201cDeath March,\u201d which opens with an eery synthesizer and some clean guitar. Is this going to be a ballad or are they just setting us up? The truth is somewhere in the middle as the track is a slow dirge re-telling the horrors of the Nazi regime.<\/p>\n\n\n\n
The Death March began\u2026
Ushered like sheep, we were led to die
They saluted their plan\u2026
A systematic genocide<\/p>\n\n\n\n
It\u2019s a powerful and somber album closer, perhaps intended to encourage the listener to think about how something so horrific could happen again if we don\u2019t resist racism, fascism, and extreme populism even now in the name of \u201claw.\u201d<\/p>\n\n\n\n
Overall this is a solid album, though very different from what I expected from the band bearing the name IronWrath. In place of 80s heavy metal with speed metal tendencies we have some modern metal with industrial tendencies. While they aren\u2019t necessarily forging a new musical path here (industrial metal had its heyday in the 90s \u2013 00s), they have certainly offered something different that most fans will have expected. The playing and production and top-notch, and this is definitely recommended if you like industrial-type beats mixed with modern metal sounds and traditional metal solos.<\/p>\n\n\n\n
My rating: 3.0<\/p>\n\n\n\n