Let Us Sing: Who Are the Great Rock Vocalists? (Part 5: They are Canadian, Right?)
Somewhere closer to the Hemispheres where the northern lights hum with electric Anthem, a distinct…
progressive metal
progressive metal
Review: THE NEAL MORSE BAND – L.I.F.T.
One hour and seventeen minutes. That is the runtime of the new album from the…
Roxx Records announce Vol. IV of “A Christmas That Roxx” series
Well here we are again, another year almost gone! We have enjoyed doing these so…
Review: Testimony of Apocalypse – Agony in the Garden
Testimony of Apocalypse Agony in the Garden (Roxx Records) When Paul of Testimony of Apocalypse…
Review: PJ Bostic – Hope in the Winter Stage
For the uninitiated, PJ Bostic is the moniker the multi-instrumentalist Paul Roraback uses when releasing…
Review: Perpetual Legacy – Teodrama
Progressive Legacy Perpetual Legacy is a progressive symphonic group hailing from Brazil with much to…
HARPAZO: The Crucible
The Crucible represents the fruit of the long-awaited collaborative labors, sown some 15 years ago,…
BEN BARUK: Cosmogony
Seriously?! Out of the gate, if you are a fan of cinematic, conceptual fantasy melodic…
FLOOD: Ripped Into Exile
Ripped Into Flood Flood is back – and fast – with their second release in…
JONATHAN “DOC” SWANK: Top Releases 2023
2023 Personally, this year has been a challenge on so many levels. Yet, despite an…