Feature: Jonathan “Doc” Swank – Top Releases 2024
2024 was another great year for music in our scene and abroad. Consequently, in addition to the top Christian releases, I am including a top secular release list (of what I’ve heard) for purposes of comparative anatomy. Additionally, because there have been so many great reissues this year, I’m adding a “noteworthy reissues” section for the first time. Rating numbers are included only as reference points for quality comparison.
Chart Notes
Observation #1
As always, this is not a collaborative viewpoint from our writers, merely this one writer’s perspective, preferences and prescription. Hence, if a release isn’t on this list, it means it probably either flew below my very limited radar (humble confession) or it was far outside the realm of my exposure level to adequately critique. Furthermore, I try to keep the “top” list limited to releases which have been reviewed by one or more of our contributors here on heavensmetalmagazine.com
Observation #2
My biggest regret this year is the lack of more extreme releases represented, but having two in the top 5 helps, to some degree, to level out this imbalance. Limited time afforded in which to “hear it all” and less exposure in those more extreme genres contributes partly to the deficiency, but this year was also an incredibly competitive year for melodic rock/metal and power/prog metal.
Observation #3
The ladies’ contributions have been phenomenal this year with stellar vocal performances by Leah, Anette Olzon and newcomer Tiffany Galchutt (Millennial Reign), not to mention great supporting roles from the likes of Maria Jose (vocals – Ben Baruk), Jennifer Eckhart (vocals – Harpazo) and Anna Sentina (bass – Flood). Additionally, the late 2024 release from Perpetual Legacy features the amazing voice of Michelle Braglia Rodovalho which will most certainly enthrall fans of progressive symphonic rock/metal.
Observation #4
Finally, the order of appearance here (outside the top 5) is somewhat more random. These releases are so strongly matched, it’s difficult to rank them fairly. All this to say, don’t take the ranking numbers here too seriously (fans of Stryper and Whitecross, are you reading?) Hence, ratings aside, we are blessed to have much great music for our edification and encouragement, and so behold…
The Best of the Best – 2024
1. Motivik – Renouncement (9.5)
There is just something about this album … throwback to the glory days of thrash metal where melodies weren’t discarded for the sake of speed and guitar solos shredded with conviction. The best of Believer, Betrayal and Tourniquet with a splash of Metallica and Megadeth and even the more progressive death metal of Becoming the Archetype. It was a tough decision between this one and Human Code, but at heart I’m a metal guy … and with a song like “Septicemia” on the set list, the doctor in me completely sold-out! Doc’s review HERE and Gatto’s review HERE. [Roxx]
2. Human Code – Break the Silence (9.5)
Doug Van Pelt’s “pick of the year.” Without a doubt, totally worthy of the album of the year, especially given the care and effort put into this by a bunch of guys with a ton of talent, spirit and credibility. For sure, this is the “best-sounding “album of the year… and the songs, lyrics and execution are brilliant! Doc’s review HERE and DVP’s review HERE. [Girder]
3. Leah – The Glory and the Fallen (9.5)
Surprisingly, not many have “chatted-up” this early-year, independently released, epic, but Leah has been working her way up to this level for quite some time; with each release she keeps improving upon both her sound and her song craft. Call it fantasy, call it gothic, call it symphonic, call it epic … I just call it breathtakingly amazing! Review HERE. [Ex Cathedra]
4. P.O.D. – Veritas (9.25)
Readers might be upset with me for including this in my top five, but I just can’t help it. I’ve tried to find weaknesses, but the more I keep analyzing and listening, the more I just want to keep listening to these more “traditional” P.O.D. anthems. There is a maturity and confidence here that has been missing for some time despite the band’s amazing output. Truth isn’t always complex or innovative, sometimes it just manifests when doing what you do best in the best way you best know how. Selah! Review by Gatto HERE. [Mascot]
5. Ben Baruk – Cosmogony (9.25)
Easily, this is the surprise of the year for me. While I don’t as often these days get time or access to listen to extreme metal, Ben Baruk and Cosmogony are the real deal. Vision of God and the band are to be commended for crafting and recording this incredibly intricate collection of songs which are rich in concept and deep in diversity. Review HERE. [Vision of God]
6. Impellitteri – War Machine (9.25)
It’s hard to go wrong when Chris Impellitteri and Rob Rock collaborate. Always great to see these more seasoned (aka older) musicians hit a home run. This is old-school melodic metal defined reflecting a time-gone-bye when a vocal identity and signature style was commanded and demanded within the music industry. This time around, they increased their aggression and speed, especially on drums. Crothers’ always enjoyable enthusiastic review HERE. [Frontiers]
7. Harpazo – The Crucible (9.25)
Gary Wehrkamp’s long overdue return to the music world. His contributions to Shadow Gallery are legendary. His collaboration with Marc Centanni and progressive metal vocalist DC Cooper represents a monumental effort to score a place within the “concept metal” hall of fame. Laced with an all-star line-up, a compelling story and a lush production mix, this one checks off nearly all the boxes within the realm of an unforgivingly competitive genre. Doc’s review HERE and Bowman’s review HERE. [Rockshots Records]
8. Saint – Immortalizer (9.25)
An easy top 10 pick. The longevity of the effort and the persistence of the spirit isn’t lost on anyone, but when you are in the game this long you must still deliver the message and the goods with credible execution. Check, check. Roger, that! McCormack’s review HERE and Crothers’ review HERE. [Armor]
9. Anette Olzon – Rapture (9.25)
While I felt 2021’s Strong was a move in the right metal direction, with this release the former Nightwish vocalist has taken her solo career one step closer to excellence with a brazenly Christian-themed collection of symphonic power metal burners. In addition to Leah’s epic masterpiece and the very credible Millennial Reign release featuring vocalist Tiffany Galchutt, the ladies have stamped a very powerful and credible presence this year on the metal ticket! Review HERE. [Frontiers]
10. Within Silence – The Eclipse of Worlds (9.25)
Here is another release which ranks high for me but may not for critics and fans. Admittedly, I am a fan for the underdog. The improvement this band has made since their debut, in the quality and execution of their sounds, is praiseworthy. Yes, they echo heavily their influences (Theocracy/Iron Maiden) but when its this good… Review HERE. [Ulterium]
11. Stryper – When We Were Kings (9.25)
The kings of melodic rock/metal return with something to say – their best collection of songs since 2015’s Fallen. To be “in the game” this far into their career, to be “bringing it” ever heavier, is a testament to both their faith/commitment and their willingness to adapt to the demand of fans who always want it heavier and faster! DVP’s well-articulated review HERE. [Frontiers]
12. Millennial Reign – World on Fire (9)
Like Balance of Power, this band reimagined their sound with a female singer without having to alter the course of their melodic power metal outpourings. The bold swing paid dividends to this listener as I rate this their best release to date. Doc’s review HERE and Bowman’s review HERE. [Ulterium]
13. The Brave – Carnival of Sins (9)
Without a doubt, the best melodic rock album this year from artists devoted to praising the King with smooth melodies and accessible hooks. Their legend lives on… Doc’s review HERE and Crothers’ review HERE. [Brave Music Unlimited]
14. Whitecross – Fear No Evil (9)
This band without Scott Wenzel feels unfamiliar, yet familiar all the same thanks to the licks and grooves of Rex Carroll and the dynamic voice of Dave Roberts who is a cross between Wentzel and Klaus Meine. Fans can rejoice as Fear No Evil represents a “triumphant return” for a band which many considered a relic of the Christian melodic metal past. A worthy comeback, indeed. Gatto’s “fanboy” (in a positive way) review HERE. [Dark Star]
15. All For the King – Darkest Before Dawn (9)
At 34 minutes this album is a bit more in EP territory which was one factor keeping it this far down in the chain. Also, I don’t understand the decision to place the Ulf Christianson song (previously released in 2022 as a bonus track) as the lead-off track. All that aside, this band has a wonderful ability to match melody with lush heavy rock infused by totally sold-out praise-the-Creator attitude. Narnia blended with Jerusalem and Modest Attraction. Crothers’ review HERE. [Roxx]
16. Flood – Ripped Into Exile (9)
Consequently, this album should have been huge. In so many ways, it still is – the songwriting, the diversity, the technical execution, the singing. But the production mix was a missed opportunity. While the vinyl version (Bombworks) provides a redemption of sorts, the lack of sound quality matching the band’s debut remains a surprising shortfall. The good news is that the songs are very good to excellent. Review HERE. [Acidify/Bombworks]
17. Kalamity Kills – Kalamity Kills (9.25)
Jamie Rowe’s new rock endeavor was originally released to digital streaming late 2023, found its way to CD in 2024 and vinyl format in early 2025. I missed out on this in 2023 (never hit my radar), but I get it now. Refreshingly, Rowe embraces a neogenesis of sorts, these songs encompassing hard rock/melodic metal merged with more contemporary electronic rock effects for maximum shock rock impact. Look forward to hearing these sounds on vinyl. Gatto’s expansive review HERE. [Pero Recordings]
18. Perpetual Legacy – Teodrama (9.25)
This progressive symphonic rock/metal group hailing from Brazil – featuring the dynamic voice of Michelle Rodovalho – released their second full-length in late 2024. Frankly, this could easily be ranked higher, but I’ve not had enough time yet to fully digest its impact and scope. One thing for sure, noteworthy indeed, is the ambitiousness and diversity of this 2CD epic replete with melodic and harsh vocals, cinematic elements and plenty of great compositional experimentation. Full review HERE. [En Hakkore]
Noteworthy Reissues
While we know fans prefer new music, Roxx, Boone’s and Girder burn through a lot of capital, time and effort on reissuing much of the great music of the past 3 to 4 decades for our musical edification and listening pleasure. This segment represents a salute to some of that effort as well as to the greatness of the musicians/artists represented.
Galactic Cowboys – The Box That Bud Bought (CD/Vinyl) (9.75)
Brutal Planet’s treatment of this iconic band’s Metal Blade releases is nothing short of extraordinary. And Bud’s CD box and the four “first time on vinyl” renditions are nothing short of spectacular. For those who haven’t already read the synopsis/review you can experience “The Ranch that Doc Reviewed” HERE. [Brutal Planet]
Threshold – Wounded Land, Psychedelicatessen, Extinct Instinct, Clone (CD, Vinyl) (9.75)
UK’s premier progressive metal band has reissued their first four albums on CD and vinyl. Karl Groom (guitars/songwriter/producer) remixed these to perfection with a much more aggressive guitar edge, so these are definitively distinct from the original recordings. Each album includes new liner notes written in 2024. Additionally, each release (vinyl) has its own distinctive transparent color. thresh.net [Nuclear Blast]
Demon Hunter – Summer of Darkness (Vinyl) (9.75)
Oh, how long have I waited for this on vinyl! Fans love the debut, as do I, yet this release not only unmasked the band, but it also showcased what they could deliver to the floundering metal world circa 2004. Endearingly, my favorite DH album to date sounds every bit as good on vinyl as would be expected. [Solid State]
Veni Domine – Fall Babylon Fall & Material Sanctuary (CD, Vinyl) (9.5)
Reviewing this band’s first two albums reissued (remastered by CJ Grimmark) didn’t happen this year much to my regret. Pressed on both CD and vinyl, these don’t disappoint. While Fall Babylon Fall was previously released on extremely limited vinyl (Circle of the 111 Vinyl Saviours) in 2018, Material Sanctuary sees vinyl light of day for the first time ever. Essential. [Melodic Passion]
Ken Tamplin – Stand Up & Shout (9.5)
One of the most comprehensive collections of songs from an artist with a plethora of material from which to cull. Don’t have much more to say other than what I’ve already said in my equally comprehensive review HERE. [Girder]
Brother Cane – Wishpool (CD and Vinyl) (9.5)
Without a doubt, the best of the band’s 3 incredibly brilliant releases. How this band didn’t make it bigger is beyond comprehension. Girder has done a nice job of reissuing their debut on both CD/first-time vinyl in 2023. Similar treatments on this release are equally good, the excellent vinyl remaster sublime. [Girder]
Believer – Extraction from Mortality, Sanity Obscure, Dimensions (CD, Cassette, Vinyl). (9.5)
My original intention was to review all three of these gems, but alas, I was only successful in accomplishing this goal with the band’s debut reviewed HERE. [Bombworks]
Barren Cross – Atomic Arena & State of Control (Vinyl) (9.25)
With each release available in two different colors, these classics – originally released on Enigma – have been reissued on vinyl as part of the now iconic Limited Run Vinyl Series. [Retroactive]
Sacred Warrior – Waiting in Darkness (CD) (9)
Originally released in 2013, the often-overlooked Eli Prinsen incarnation of the band put out a worthy dark progressive collection of songs. Retroactive issued the “first time on vinyl” in 2021 and this year the newly packaged Collector’s Edition on CD, replete with slipcase and expanded 12-page booklet. And speaking of waiting … we patiently await/anticipate new material… [Retroactive]
Worldview – The Chosen Few (Vinyl) (8.75)
First time on vinyl, it just seems appropriate that this excellent collaboration of George Ochoa, Rey Parra and Todd Libby (originally released in 2015) finally receives analog treatment in the same year we are introduced to Ochoa’s latest musical incarnation – Human Code. [Girder]
Damascus – The Road to Damascus (CD) (8.5)
An amazing, expertly curated anthology/tribute to one of the most underrated Christian prog bands from the ‘80’s. Read my exhaustive review of this 2 CD set HERE. [Roxx]
Lazarus – Exegesis (CD) (8.5)
“Exegesis is a diamond in the ruff, a missing piece in the UK white metal puzzle, a long-lost piece of Christian metal history.” Read full review HERE. [Cult Metal Classics]
Disciple – The Lost Disciple (CD) (8)
Call it nostalgic, this is old-school all the way. This lovingly culled resurrection of the music of Australia’s Disciple stands testament to the dual-edged sword of late ‘80’s Christian metal – melodic rock/metal matched with the message of hope in Jesus Christ. Our review HERE. [Roxx]
A Sampling of 2024 – Par Excellence
Ayreon – Live Beneath the Waves (10)
This multi-vocalist, deeply talented progressive rock/metal entity has released the media version (CD/BD/Vinyl) of their 4th live incarnation. This time around the band has re-enacted their iconic and diverse 01011001 album to critical acclaim. The stage sets and visuals/lights surpass everything which has gone before – sound, song and visual ecstasy! As with all things Ayreon/Arjen Lucassen … perfection. [Music Theories Recordings]
Porcupine Tree – Closure/Continuation. Live (9.75)
While I realize this was a late 2023 (December) release date, this live performance is stunning and may have been overlooked in 2023. The band’s incredibly strong reunion album was released in 2022, but this live incarnation took things to the next level. Visually stunning, aurally sublime – progressive rock/metal doesn’t get any better. [Music For Nations]
Balance of Power – Fresh From the Abyss (9.75)
This UK band has revitalized themselves with new vocalist Hazel Jade while simultaneously delivering melodic hard rock ecstasy. These songs are brazenly addictive. I just love the 8-song simplicity with every song having a distinctive vibe. Doc’s Heaven’s Metal review HERE. [Massacre]
Opeth – The Last Will and Testament (9.75)
Sweden’s premier progressive death metal/rock band slipped this one in under the radar late 2024. Much to long-time fans pleasure, not only does Mikael Åkerfeldt deliver the melodic vocals, but he also returns with his first death metal growls since 2008’s Watershed. This deeply conceptual album is the perfect blend of older death progressive Opeth (Still Life, Blackwater Park) with the newer more melodic prog (Heritage, Sorceress). Featuring sensational new drummer Waltteri Väyrynen, along with guest narrative/flute from Jethro Tull’s Ian Anderson and Europe’s Joey Tempest (guest vocals), this is ( for me at least) the best album the band has crafted since the transitional Watershed, and right up there in quality with Ghost Reveries, Blackwater Park and Still Life. [Moderbolaget Records/Reigning Phoenix Music]
Evergrey – Theories of Emptiness (9.5)
Phenomenal release from the kings of dark power progressive metal. As much as I loved the previous 3 releases technically, this one hearkens back to the emotional/melodic glory of Hymns for the Broken which was one of their finest career moments. Bittersweet as this one marks the last album with long-time drummer/co-producer Jonas Ekdahl. “Ghost of My Hero” song of the year. Doc’s Amazon review HERE. [Napalm]
Judas Priest – Invincible Shield (9.5)
While not quite as dominant as 2018’s Firepower, it’s insane that these guys can deliver the metal firepower to this degree this late in their career. Halford’s vocals never age. Doc’s Amazon review HERE. [Epic/Columbia]
Myrath – Karma (9.25)
Tunisia’s version of progressive metal has been a staple in the genre since their debut in 2007. This one represents their 6th full-length release in as much time, but their uniquely original take on the “Eastern Metal” genre continues to enthrall with cinematic grandeur. Doc’s Amazon review HERE. [EAR]
Amaranthe – The Catalyst (9.25)
Emulation is a great form of flattery as many bands have tried to mimic this band’s formula. The triple vocal attack tied with catchy hooks is incredibly infectious and while they haven’t varied this approach much through the course of the career, their music never fails to put pace on the miles and a smile on the face. Doc’s Amazon review HERE. [Nuclear Blast]
Vanden Plas – The Empyrean Equation of The Long-Lost Things (9.25)
Often described as Germany’s equivalent of Dream Theater, this band possesses their own distinctive style, largely due to dynamic, operatic vocalist Andi Kuntz who has a penchant for dramatic conceptual semi-symphonic metal. However, after years of those epic concept pieces, this release represents a great return to simply glorious melodic prog metal brilliance ala 1997’s iconic The God Thing. [Frontiers]
Accept – Humanoid (9)
Despite the attrition of members through the years (Hoffmann the lone remaining “Wolf”), this band has been delivering top power metal releases time after time since 2010’s iconic Blood of the Nations. The next generation of Accept members is willingly receiving the “torch passed down” by the pioneer forefathers, the flame still burning, keeping the metal anthems aflame with passion and power. [Napalm]
Herin – Standing in Plain Sight (8.75)
While not as heavy and intricate as a Tiles release, Herin’s debut solo release impresses in every aspect. For tackling the most difficult subject to sing about (dementia) they deserve a “metal of honor.” Heaven’s Metal review HERE. [Laser’s Edge]
Selah…
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